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Gouache on paper. Signed and dated 1990 by Bram Bogart. // This densely layered giclée from 2020 presents one of Damien Hirst's exuberant floral compositions, in which thick impasto-effect passages of pink, blue, yellow, white, red, green, and black converge to suggest flower forms through sheer chromatic accumulation. The heavily textured surface — reproduced with remarkable fidelity from the original painting — transforms botanical subject matter into a celebration of pigment itself. The joyful palette and vigorous application recall both Impressionist garden paintings and the gestural abandon of Abstract Expressionism, positioning Hirst's practice within a long lineage of artists for whom flowers serve as a vehicle for pure painterly pleasure.
Composition abstraite, 1990
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50 x 63 cm
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Details
Artist
Styles
Gouache on paper. Signed and dated 1990 by Bram Bogart. // This densely layered giclée from 2020 presents one of Damien Hirst's exuberant floral compositions, in which thick impasto-effect passages of pink, blue, yellow, white, red, green, and black converge to suggest flower forms through sheer chromatic accumulation. The heavily textured surface — reproduced with remarkable fidelity from the original painting — transforms botanical subject matter into a celebration of pigment itself. The joyful palette and vigorous application recall both Impressionist garden paintings and the gestural abandon of Abstract Expressionism, positioning Hirst's practice within a long lineage of artists for whom flowers serve as a vehicle for pure painterly pleasure.
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What is matter painting?
Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.
