Sam Francis

Untitled, 1984

106.7 X 73 inch

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Uneven Collapse: 11 Arcs

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218.5 Arc x 13

Bernar Venet Position of Three Major Arcs of 265.5° Each lithograph, two large arcs in minimalist frame with technical annotations.

Lithograph and collage on paper - Signed, dated and numbered - Titled lower center, with artist's dry stamp lower left // Bernar Venet’s Position of Three Major Arcs of 265.5° Each is a 1981 mixed media lithograph that combines elements of mathematical precision with minimalist aesthetics. Created with lithography and collage on paper, the work features two large arcs positioned within a rectangular frame, each precisely marked with an angle of 265.5 degrees. The drawing is annotated in the artist's hand, giving it a blueprint-like quality, where calculated arcs are presented as art. Venet’s work frequently explores the intersection of mathematics and visual art, inviting viewers to reflect on structure, proportion, and the beauty inherent in geometric forms. The minimalist design and technical notation add a scientific rigor, making it as much a conceptual study as a visual piece.

Artwork Copyright © Bernar Venet

Position of three major arcs of 265.5° each, 1981

form

Medium

Edition

Lithograph and collage on paper - Signed, dated and numbered - Titled lower center, with artist's dry stamp lower left // Bernar Venet’s Position of Three Major Arcs of 265.5° Each is a 1981 mixed media lithograph that combines elements of mathematical precision with minimalist aesthetics. Created with lithography and collage on paper, the work features two large arcs positioned within a rectangular frame, each precisely marked with an angle of 265.5 degrees. The drawing is annotated in the artist's hand, giving it a blueprint-like quality, where calculated arcs are presented as art. Venet’s work frequently explores the intersection of mathematics and visual art, inviting viewers to reflect on structure, proportion, and the beauty inherent in geometric forms. The minimalist design and technical notation add a scientific rigor, making it as much a conceptual study as a visual piece.

Artwork Copyright © Bernar Venet

Bernar Venet

Two Undetermined Lines , 1990

Limited Edition Print

Mixed Media

USD 44,000

Bernar Venet

83.5 ARC X 8, 2017

Sculpture / Object

Metal

Inquire For Price

Bernar Venet

Uneven Collapse: 11 Arcs, 2022

Sculpture / Object

Metal

Inquire For Price

Bernar Venet

Position Of Three Major Arcs Of 265.5° Each, 1981

Limited Edition Print

Mixed Media

EUR 3,700

Bernar Venet

218.5 Arc X 13, 2007

Sculpture / Object

Metal

Currently Not Available

Bernar Venet

149.5º Arc X 10, 2015

Sculpture / Object

Mixed Media

Currently Not Available

Bernar Venet

Combination Of Random Indeterminate Lines, 2004

Limited Edition Print

Screen-print

Currently Not Available

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What is Nouveau Realism?

Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.

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