Sam Francis

Untitled, 1984

106.7 X 73 inch

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149.5º Arc X 10

Bernar Venet, Combination of Random Indeterminate Lines, screen-print, abstract dark lines in random, gestural arrangement.

This original screenprint in colors was created in 2004. Signed by the artist in pencil, titled, dated and numbered, from the edition of 30 measuring 19 ½ x 25 ½ in. (49.5 x 64.8 cm.). // Combination of Random Indeterminate Lines by Bernar Venet is a limited edition screen-print from 2004, signed, titled, dated, and numbered by the artist. This piece, part of an edition of 30, showcases Venet's exploration of line and form, a hallmark of his abstract approach. The composition features dark, gestural lines that intersect and coil in a seemingly random yet dynamic configuration, evoking a sense of spontaneity and controlled chaos. The work’s simplicity is deceptive, as the seemingly arbitrary lines create a harmonious interplay of movement and stillness. Venet’s focus on indeterminate forms challenges viewers to find patterns in what initially appears as disorder, inviting contemplation on the boundaries between randomness and intentionality.

Artwork Copyright © Bernar Venet

Combination of Random Indeterminate Lines, 2004

form

Medium

This original screenprint in colors was created in 2004. Signed by the artist in pencil, titled, dated and numbered, from the edition of 30 measuring 19 ½ x 25 ½ in. (49.5 x 64.8 cm.). // Combination of Random Indeterminate Lines by Bernar Venet is a limited edition screen-print from 2004, signed, titled, dated, and numbered by the artist. This piece, part of an edition of 30, showcases Venet's exploration of line and form, a hallmark of his abstract approach. The composition features dark, gestural lines that intersect and coil in a seemingly random yet dynamic configuration, evoking a sense of spontaneity and controlled chaos. The work’s simplicity is deceptive, as the seemingly arbitrary lines create a harmonious interplay of movement and stillness. Venet’s focus on indeterminate forms challenges viewers to find patterns in what initially appears as disorder, inviting contemplation on the boundaries between randomness and intentionality.

Artwork Copyright © Bernar Venet

Bernar Venet

Two Undetermined Lines , 1990

Limited Edition Print

Mixed Media

USD 44,000

Bernar Venet

Position Of Three Major Arcs Of 265.5° Each, 1981

Limited Edition Print

Mixed Media

EUR 3,700

Bernar Venet

Uneven Collapse: 11 Arcs, 2022

Sculpture / Object

Metal

USD 18,150

Bernar Venet

83.5 ARC X 8, 2017

Sculpture / Object

Metal

Inquire For Price

Bernar Venet

218.5 Arc X 13, 2007

Sculpture / Object

Metal

Inquire For Price

Bernar Venet

Combination Of Random Indeterminate Lines, 2004

Limited Edition Print

Screen-print

Currently Not Available

Bernar Venet

149.5º Arc X 10, 2015

Sculpture / Object

Mixed Media

Currently Not Available

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What is Nouveau Realism?

Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.

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