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Photo etching on Zinc, drypoint etching reworked // This photo etching on zinc, measuring 68 x 50 cm, highlights Rainer’s exploration of distorted facial expressions and body language. The composition depicts a figure—presumably Rainer himself—posed against a muted red background, with chaotic drypoint lines overlaid on the image. The subject’s closed eyes, grimacing expression, and crossed arms convey vulnerability and tension, while the intense black strokes add a dynamic layer of abstraction, suggesting emotional struggle or inner turmoil. Rainer's Body Poses and Face Farces emerged from his performative experiments in the late 1960s, where he distorted his expressions in photo booths and later collaborated with photographers in the studio. By enlarging and reworking these photographs, he transformed them into powerful works of action art, blending physicality and abstraction. Body Pose II is part of an edition of 40 and exemplifies Rainer’s unique approach to integrating photography, etching, and expressive mark-making.
Body Pose II, 1971 - 1975
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Details
Artist
Styles
Photo etching on Zinc, drypoint etching reworked // This photo etching on zinc, measuring 68 x 50 cm, highlights Rainer’s exploration of distorted facial expressions and body language. The composition depicts a figure—presumably Rainer himself—posed against a muted red background, with chaotic drypoint lines overlaid on the image. The subject’s closed eyes, grimacing expression, and crossed arms convey vulnerability and tension, while the intense black strokes add a dynamic layer of abstraction, suggesting emotional struggle or inner turmoil. Rainer's Body Poses and Face Farces emerged from his performative experiments in the late 1960s, where he distorted his expressions in photo booths and later collaborated with photographers in the studio. By enlarging and reworking these photographs, he transformed them into powerful works of action art, blending physicality and abstraction. Body Pose II is part of an edition of 40 and exemplifies Rainer’s unique approach to integrating photography, etching, and expressive mark-making.
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Arnulf Rainer
Kopf Auf Braun (Selbstportrait), 1991
Limited Edition Print
Mixed Media
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
