Sam Francis

Untitled, 1984

106.7 X 73 inch

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boules tactiles sur font rouge

Antonio Asis, Vibration 16 Carrés Bleu et Jaune, mixed media, structured grid of blue and yellow squares with optical vibration effect.

wood, steel and serigraph // Vibration 16 Carrés Bleu et Jaune by Antonio Asis is a mixed-media sculpture created in 2010 using wood, steel, and serigraphy techniques. This limited-edition piece, part of an edition of 15, features a structured grid of 16 squares in alternating blue and yellow. Each square is composed of layered dots and perforations that create an intriguing optical vibration effect. The combination of metal and color plays with light and perspective, producing a shifting illusion of depth and movement as the viewer’s angle changes. Asis’s work demonstrates his fascination with kinetic and optical art, inviting viewers into an interactive visual experience where color and geometry merge in a harmonious yet dynamic interplay.

Artwork Copyright © Antonio Asis

vibration 16 carres bleu et jaune, 2010

form

Medium

Edition

wood, steel and serigraph // Vibration 16 Carrés Bleu et Jaune by Antonio Asis is a mixed-media sculpture created in 2010 using wood, steel, and serigraphy techniques. This limited-edition piece, part of an edition of 15, features a structured grid of 16 squares in alternating blue and yellow. Each square is composed of layered dots and perforations that create an intriguing optical vibration effect. The combination of metal and color plays with light and perspective, producing a shifting illusion of depth and movement as the viewer’s angle changes. Asis’s work demonstrates his fascination with kinetic and optical art, inviting viewers into an interactive visual experience where color and geometry merge in a harmonious yet dynamic interplay.

Artwork Copyright © Antonio Asis

Antonio Asis

Boules Tactiles Sur Font Rouge, 2015

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Vibration Bandes Noir, Bleu Et Turquoise, 2010

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Vibration 4 Cercles Noir Et Blanc, 2010

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Asistype 20 - Boule Sur Cercle, 2016

Sculpture / Object

Monotype

EUR 3,500

Antonio Asis

3 Cercles Noir Et Blanc, 2014

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Vibration 9 Petits Et 4 Grands Cercles, 2010

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Asistype 10 - Boule Sur Cercle, 2016

Sculpture / Object

Monotype

EUR 3,500

Antonio Asis

Asistype 9 - Boule Sur Cercle, 2016

Sculpture / Object

Monotype

EUR 3,500

Antonio Asis

Asistype 8 - Boule Sur Cercle, 2016

Sculpture / Object

Monotype

EUR 3,500

Antonio Asis

Asistype 6 - Boule Sur Cercle, 2016

Sculpture / Object

Monotype

EUR 3,500

Antonio Asis

Asistype 4 - Boule Sur Cercle, 2016

Sculpture / Object

Monotype

EUR 3,500

Antonio Asis

Asistype 3 - Boule Sur Cercle, 2016

Sculpture / Object

Monotype

EUR 3,500

Antonio Asis

Asistype 1 - Boule Sur Cercle, 2016

Sculpture / Object

Monotype

EUR 3,500

Antonio Asis

Vibration Carré Noir Et Bleu, 2012

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Vibration Grand Cercle, 2010

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Vibration Bandes Bleus Et Rouges, 2010

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Interferences Cercles De Couleurs, 2010

Limited Edition Print

Mixed Media

EUR 2,200

Antonio Asis

Interferences Cercles Rouge Et Blanc, 2010

Limited Edition Print

Mixed Media

EUR 2,200

Antonio Asis

Interferences Cercles Noir Et Blanc, 2010

Limited Edition Print

Mixed Media

EUR 2,200

Antonio Asis

Vibration Cercles Noir Et Blanc, 2010

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Vibration Cercles Noir, Orange Et Rouge, 2010

Sculpture / Object

Mixed Media

EUR 3,000

Antonio Asis

Vibration 16 Carres Bleu Et Jaune, 2010

Sculpture / Object

Mixed Media

EUR 3,000

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What is Hard Edge Art?

Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

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