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Artist
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Wood, steel and serigraph. Signed in pencil at the back. 3 ovals noir et blanc by Antonio Asis, created in 2012, is a sculptural work composed of wood, steel, and serigraph, measuring 66 x 33 x 14 cm. This limited edition of 15 exemplifies Asis’s optical and kinetic art explorations. The piece features three black ovals visible through a perforated steel grid, playing with depth, contrast, and perception. Asis’s interest in movement and visual vibration is evident as the viewer's position affects the optical reading of the work. Signed in pencil on the back, it reflects Asis’s lifelong engagement with geometric abstraction and perceptual illusion.
3 ovals noir et blanc, 2012
form
Medium
Size
33 x 66 X 14 cm
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- GBP
Details
Artist
Styles
Wood, steel and serigraph. Signed in pencil at the back. 3 ovals noir et blanc by Antonio Asis, created in 2012, is a sculptural work composed of wood, steel, and serigraph, measuring 66 x 33 x 14 cm. This limited edition of 15 exemplifies Asis’s optical and kinetic art explorations. The piece features three black ovals visible through a perforated steel grid, playing with depth, contrast, and perception. Asis’s interest in movement and visual vibration is evident as the viewer's position affects the optical reading of the work. Signed in pencil on the back, it reflects Asis’s lifelong engagement with geometric abstraction and perceptual illusion.
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Sculpture / Object
Mixed Media
EUR 3,000
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Sculpture / Object
Mixed Media
EUR 3,000
What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.
