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Clau-13 (1973) by Antoni Tàpies is a striking lithograph that distills gesture into symbolic intensity. A bold crimson form—part brushstroke, part calligraphic flourish—dominates the upper section of the composition. The mark suggests both key-like symbolism and a visceral trace of action, characteristic of Tàpies’ language of material abstraction. Beneath and around this central gesture, fragmented text or symbols echo a cryptic script, heightening the work’s enigmatic energy. Created in a limited edition of 25, this lithograph exemplifies Tàpies’ ability to merge writing, matter, and emotion into a powerful, minimalist visual statement.
Clau-13, 1973
form
Medium
Size
45 x 62 cm
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Details
Artist
Styles
Clau-13 (1973) by Antoni Tàpies is a striking lithograph that distills gesture into symbolic intensity. A bold crimson form—part brushstroke, part calligraphic flourish—dominates the upper section of the composition. The mark suggests both key-like symbolism and a visceral trace of action, characteristic of Tàpies’ language of material abstraction. Beneath and around this central gesture, fragmented text or symbols echo a cryptic script, heightening the work’s enigmatic energy. Created in a limited edition of 25, this lithograph exemplifies Tàpies’ ability to merge writing, matter, and emotion into a powerful, minimalist visual statement.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
