Color silkscreen, collage/card
Numbered and signed "Alighiero e Boetti" by the artist on the front
Limited edition of 50 ex.
Perspex case.
Printer: Studio 3.
Published by TxT - 1983
Ammazzare il Tempo by Alighiero Boetti is a serigraph created in 1983, representing the artist's interest in language and visual structure. This limited edition print, part of a series of only 50, features a vibrant collage of bold, block letters arranged in a grid format. Each letter and background block is filled with contrasting colors, creating a dynamic interplay between form and hue. The work's title, which translates to Killing Time, aligns with Boetti’s conceptual approach, emphasizing the passage of time and the repetitive nature of patterns. Signed by the artist, it is housed in a perspex case, highlighting its collectability and artistic significance.
Alighiero Boetti (Italy, 1940–1994) was a key figure in the Arte Povera movement, celebrated for his conceptual and collaborative approach. Renowned for his embroidered maps and textual works, Boetti’s art often explored themes of duality, language, and global interconnectedness. His innovative practice blurred boundaries between artist and artisan.
SerigraphSerigraph is a printmaking process that uses silk screen techniques to create an image. The image is digitally separated into individual colors, each of which is assigned to a separate silk screen. These screens are then used to apply each color by hand, layer by layer, to replicate the original artwork, often based on an oil painting.
Color silkscreen, collage/card
Numbered and signed "Alighiero e Boetti" by the artist on the front
Limited edition of 50 ex.
Perspex case.
Printer: Studio 3.
Published by TxT - 1983
Ammazzare il Tempo by Alighiero Boetti is a serigraph created in 1983, representing the artist's interest in language and visual structure. This limited edition print, part of a series of only 50, features a vibrant collage of bold, block letters arranged in a grid format. Each letter and background block is filled with contrasting colors, creating a dynamic interplay between form and hue. The work's title, which translates to Killing Time, aligns with Boetti’s conceptual approach, emphasizing the passage of time and the repetitive nature of patterns. Signed by the artist, it is housed in a perspex case, highlighting its collectability and artistic significance.
Alighiero Boetti (Italy, 1940–1994) was a key figure in the Arte Povera movement, celebrated for his conceptual and collaborative approach. Renowned for his embroidered maps and textual works, Boetti’s art often explored themes of duality, language, and global interconnectedness. His innovative practice blurred boundaries between artist and artisan.
It's just a question of knowing the rules of the game.
- Alighiero Boetti
Alighiero Boetti (b. 1940 Italy, d. 1994 Italy) was a prominent Italian conceptual artist and a key figure in the Arte Povera movement. Boetti's work is celebrated for its exploration of duality, order, and chaos, often using everyday materials to challenge traditional notions of art. His most famous works include the embroidered world maps, known as "Mappa," created with the help of Afghan artisans, which reflect his interest in geopolitics and the collaborative process. Boetti was fascinated by the interplay between the individual and the collective, a theme that runs throughout his diverse body of work, ranging from sculpture and installation to drawing and textile art. His innovative approach and intellectual depth have cemented his place as a significant figure in 20th-century art. (Artist website)
Mail Art is a populist art movement centered on the creation and exchange of small-scale artworks through the postal service. It developed out of the Fluxus movement in the 1950s and 1960s and has since evolved into a global art movement. Ray Johnson is recognized as the first mail artist, and his New York School is considered the first network of mail artists. Mail artists rely heavily on a network to exchange their works, often creating a community of artists connected through the postal system.