What is Hard Edge Art?
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Artworks Related to Hard Edge art
Julian Opie
Medieval Village 1, 2019
Limited Edition Print
Mixed Media
USD 4,400
Joan Miró
Album 19, Planche 5, 1961
Limited Edition Print
Lithograph
Artwork On Hold
Julian Opie
Cargo shorts: Boston Statuette, 2020
Sculpture / Object
Bronze
USD 14,400
Julian Opie
Blazer: Boston Statuette, 2020
Sculpture / Object
Bronze
USD 14,400
Julian Opie
Cornish Coast 2: Polridmouth Coast, 2017
Limited Edition Print
Mixed Media
USD 7,800
Julian Opie
Cornish Coast 1: Lantivet Coast, 2017
Limited Edition Print
Mixed Media
USD 7,800
Julian Opie
Cornish Coast 2: Lantivet Coast, 2017
Limited Edition Print
Mixed Media
USD 7,800
KAWS
What Party - Blue, 2020
Limited Edition Print
Screen-print
USD 25,000 - 30,000
KAWS
Presenting the Past, 2014
Limited Edition Print
Silkscreen
USD 31,000 - 35,000
KAWS
Dissected Companion (Brown), 2006
Limited Edition Print
Screen-print
USD 30,000 - 40,000
Robert Indiana
First Love, 1991
Limited Edition Print
Aquatint
USD 3,575
Julian Opie
Magpie, 2020
Sculpture / Object
Acrylic sculpture
Currently Not Available
Frank Stella
Imola Three, I (from the Circuits Series), 1982
Limited Edition Print
Mixed Media
USD 43,000 - 50,000
Ellsworth Kelly
Mallarmé Suite: Blue, 1992
Limited Edition Print
Lithograph
USD 11,500
Ellsworth Kelly
Green Curve with Radius of 20', 1974
Limited Edition Print
Lithograph
USD 17,800
Julian Opie
Street 1, 2020
Limited Edition Print
Relief printing
USD 21,000
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Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.
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