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Color etching and aquatint on vellum paper. Signed, dated and numbered by the artist. Published by Galerie de France, Paris.// A luminous etching and aquatint in which Zao Wou-Ki conjures a brooding, atmospheric landscape suspended between East and West. Washes of olive green and grey dissolve into dark, calligraphic forms at the composition's base, evoking both the mists of traditional Chinese ink painting and the gestural freedom of post-war European abstraction. This 1974 print belongs to the artist's most sought-after graphic period, when his mastery of the aquatint medium reached its zenith.// Zao Wou-Ki's abstraction embodies lyrical gesture and gestural freedom, where etched marks and aquatint washes converge in rhythmic composition. The work exemplifies the artist's poetic abstraction—neither purely geometric nor representational—creating visual expression that privileges emotion and spontaneous mark-making.
Untitled (A. 246A), 1974
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26.8 x 20.9 cm
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Details
Artist
Styles
Color etching and aquatint on vellum paper. Signed, dated and numbered by the artist. Published by Galerie de France, Paris.// A luminous etching and aquatint in which Zao Wou-Ki conjures a brooding, atmospheric landscape suspended between East and West. Washes of olive green and grey dissolve into dark, calligraphic forms at the composition's base, evoking both the mists of traditional Chinese ink painting and the gestural freedom of post-war European abstraction. This 1974 print belongs to the artist's most sought-after graphic period, when his mastery of the aquatint medium reached its zenith.// Zao Wou-Ki's abstraction embodies lyrical gesture and gestural freedom, where etched marks and aquatint washes converge in rhythmic composition. The work exemplifies the artist's poetic abstraction—neither purely geometric nor representational—creating visual expression that privileges emotion and spontaneous mark-making.
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What is Chinese contemporary art?
Chinese Contemporary Art is marked by a wide range of styles and experimental approaches. In the 1980s, avant-garde exhibitions were often shut down by government officials. The 1990s saw the rise of political pop and cynical realism, while China's One-Child Policy influenced artists to explore the individual as a subject matter.
