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Published by Denise Rene in 1968 and bears a publisher's dry stamp in the lower left hand corner of the image // Diago CF by Victor Vasarely, created in 1968, is a silkscreen print that exemplifies his Op Art style. The artwork consists of a grid of circles meticulously arranged in a diamond formation, creating a sense of movement and optical illusion. Vasarely's use of a monochromatic palette—shades of black, gray, and beige—enhances the three-dimensional effect, making the pattern appear as if it is expanding or contracting, depending on the viewer’s perspective. The precision in the arrangement of the shapes and the careful gradation of tones give the piece a dynamic and pulsating quality, drawing the viewer into its hypnotic rhythm. Published by Denise René, the print bears the publisher's dry stamp in the lower left corner, attesting to its authenticity. This work is a testament to Vasarely’s mastery in manipulating geometric forms to explore visual perception.
Diago CF, 1968
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68 x 68 cm
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Published by Denise Rene in 1968 and bears a publisher's dry stamp in the lower left hand corner of the image // Diago CF by Victor Vasarely, created in 1968, is a silkscreen print that exemplifies his Op Art style. The artwork consists of a grid of circles meticulously arranged in a diamond formation, creating a sense of movement and optical illusion. Vasarely's use of a monochromatic palette—shades of black, gray, and beige—enhances the three-dimensional effect, making the pattern appear as if it is expanding or contracting, depending on the viewer’s perspective. The precision in the arrangement of the shapes and the careful gradation of tones give the piece a dynamic and pulsating quality, drawing the viewer into its hypnotic rhythm. Published by Denise René, the print bears the publisher's dry stamp in the lower left corner, attesting to its authenticity. This work is a testament to Vasarely’s mastery in manipulating geometric forms to explore visual perception.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
