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Substrat 21 III (2003–2019) by Thomas Ruff is a c-print measuring 32 × 45.8 cm, signed and numbered in an edition of 300. Part of Ruff’s Substrat series, the work transforms digitally manipulated manga and anime imagery into abstract, flowing color fields. Swirls of neon green, violet, red, yellow, and blue blur together, dissolving recognizable forms into pure optical sensation. The result is both psychedelic and meditative, questioning the boundaries between digital culture, abstraction, and photography. Ruff’s Substrat works embody his ongoing exploration of perception, image manipulation, and the materiality of the photographic medium.
Substrat 21 III, 2003-2019
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32 x 45.8 cm
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Details
Artist
Styles
Substrat 21 III (2003–2019) by Thomas Ruff is a c-print measuring 32 × 45.8 cm, signed and numbered in an edition of 300. Part of Ruff’s Substrat series, the work transforms digitally manipulated manga and anime imagery into abstract, flowing color fields. Swirls of neon green, violet, red, yellow, and blue blur together, dissolving recognizable forms into pure optical sensation. The result is both psychedelic and meditative, questioning the boundaries between digital culture, abstraction, and photography. Ruff’s Substrat works embody his ongoing exploration of perception, image manipulation, and the materiality of the photographic medium.
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Thomas Ruff
Tripe_12 (Seeringham, Munduppum Inside Gateway), 2018
Photography
Inkjet Print
GBP 1,500 - 2,000
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Tripe_08 (Pugahm Myo. Thapinyu Pagoda), 2018
Limited Edition Print
Inkjet Print
GBP 1,500 - 2,000
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
