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Substrat 21 III (2003–2019) by Thomas Ruff is a c-print measuring 32 × 45.8 cm, signed and numbered in an edition of 300. Part of Ruff’s Substrat series, the work transforms digitally manipulated manga and anime imagery into abstract, flowing color fields. Swirls of neon green, violet, red, yellow, and blue blur together, dissolving recognizable forms into pure optical sensation. The result is both psychedelic and meditative, questioning the boundaries between digital culture, abstraction, and photography. Ruff’s Substrat works embody his ongoing exploration of perception, image manipulation, and the materiality of the photographic medium.
Substrat 21 III, 2003-2019
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32 x 45.8 cm
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Details
Artist
Styles
Substrat 21 III (2003–2019) by Thomas Ruff is a c-print measuring 32 × 45.8 cm, signed and numbered in an edition of 300. Part of Ruff’s Substrat series, the work transforms digitally manipulated manga and anime imagery into abstract, flowing color fields. Swirls of neon green, violet, red, yellow, and blue blur together, dissolving recognizable forms into pure optical sensation. The result is both psychedelic and meditative, questioning the boundaries between digital culture, abstraction, and photography. Ruff’s Substrat works embody his ongoing exploration of perception, image manipulation, and the materiality of the photographic medium.
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Thomas Ruff
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Photography
Inkjet Print
GBP 1,500 - 2,000
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Tripe_08 (Pugahm Myo. Thapinyu Pagoda), 2018
Limited Edition Print
Inkjet Print
GBP 1,500 - 2,000
What is the Dusseldorf school of photography?
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.
