
Details
Artist
Styles
Etching with aquatint on wove paper - Initialed, numbered and dated in pencil - Edition 37/40 - Alexander and Bonin Publishing, New York , pub. - Framed with white acid free mat and black wooden frame - Frame: 28 x 23 x 1.5 in. (71.12 x 58.42 x 3.81 cm.) // Untitled (from Seven Mirrors) by Sean Scully, created in 1997, is an etching and aquatint that features the artist’s signature use of geometric abstraction. The composition is divided into two adjacent columns, each filled with horizontal bands in contrasting tones. The left side contains warm, reddish-brown and white stripes, while the right side presents a more muted palette of blacks, grays, and subtle golden lines. Scully’s work often explores themes of structure, rhythm, and emotional resonance through the interplay of color and form. The textured, layered appearance of each stripe suggests depth and movement within the simplicity of the design. This piece, measuring 58.4 cm by 48.2 cm, exemplifies Scully’s ability to convey complexity and introspection through abstract repetition and balance.
Untitled (from Seven Mirrors), 1997
form
Medium
Size
58.4 x 48.2 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
Etching with aquatint on wove paper - Initialed, numbered and dated in pencil - Edition 37/40 - Alexander and Bonin Publishing, New York , pub. - Framed with white acid free mat and black wooden frame - Frame: 28 x 23 x 1.5 in. (71.12 x 58.42 x 3.81 cm.) // Untitled (from Seven Mirrors) by Sean Scully, created in 1997, is an etching and aquatint that features the artist’s signature use of geometric abstraction. The composition is divided into two adjacent columns, each filled with horizontal bands in contrasting tones. The left side contains warm, reddish-brown and white stripes, while the right side presents a more muted palette of blacks, grays, and subtle golden lines. Scully’s work often explores themes of structure, rhythm, and emotional resonance through the interplay of color and form. The textured, layered appearance of each stripe suggests depth and movement within the simplicity of the design. This piece, measuring 58.4 cm by 48.2 cm, exemplifies Scully’s ability to convey complexity and introspection through abstract repetition and balance.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.