Details
Artist
Styles
Etching with aquatint on wove paper - Initialed, numbered and dated in pencil - Edition 37/40 - Alexander and Bonin Publishing, New York , pub. - Framed with white acid free mat and black wooden frame - Frame: 28 x 23 x 1.5 in. (71.12 x 58.42 x 3.81 cm.) // Untitled (from Seven Mirrors) by Sean Scully, created in 1997, is an etching and aquatint that features the artist’s signature use of geometric abstraction. The composition is divided into two adjacent columns, each filled with horizontal bands in contrasting tones. The left side contains warm, reddish-brown and white stripes, while the right side presents a more muted palette of blacks, grays, and subtle golden lines. Scully’s work often explores themes of structure, rhythm, and emotional resonance through the interplay of color and form. The textured, layered appearance of each stripe suggests depth and movement within the simplicity of the design. This piece, measuring 58.4 cm by 48.2 cm, exemplifies Scully’s ability to convey complexity and introspection through abstract repetition and balance.
Untitled (from Seven Mirrors), 1997
form
Medium
Size
58.4 x 48.2 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Etching with aquatint on wove paper - Initialed, numbered and dated in pencil - Edition 37/40 - Alexander and Bonin Publishing, New York , pub. - Framed with white acid free mat and black wooden frame - Frame: 28 x 23 x 1.5 in. (71.12 x 58.42 x 3.81 cm.) // Untitled (from Seven Mirrors) by Sean Scully, created in 1997, is an etching and aquatint that features the artist’s signature use of geometric abstraction. The composition is divided into two adjacent columns, each filled with horizontal bands in contrasting tones. The left side contains warm, reddish-brown and white stripes, while the right side presents a more muted palette of blacks, grays, and subtle golden lines. Scully’s work often explores themes of structure, rhythm, and emotional resonance through the interplay of color and form. The textured, layered appearance of each stripe suggests depth and movement within the simplicity of the design. This piece, measuring 58.4 cm by 48.2 cm, exemplifies Scully’s ability to convey complexity and introspection through abstract repetition and balance.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Sean Scully
Red Fold, 2006
Limited Edition Print
Aquatint
USD 8,500
Sean Scully
Liliane 8, 2010
Limited Edition Print
Aquatint
EUR 8,400
Sean Scully
Liliane 5, 2010
Limited Edition Print
Aquatint
EUR 8,400
Sean Scully
Untitled (from Seven Mirrors), 1997
Limited Edition Print
Etching And Aquatint
Currently Not Available
Related Artists
Related Articles
Art Movements - June 23, 2023
Night Voices for Hidden Stories: Unlocking the Marginal Root of Queer Art
Explore the roots of queer art, its transformative role in challenging norms, and its impact on culture through powerful expressions of identity and activism. Read More
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
