Details
Artist
Styles
Color woodcut on handmade Okawara paper -Signed, titled, dated and numbered in pencil // Standing II by Sean Scully, a color woodcut created in 1986, reflects the artist’s signature style of structured abstraction. Composed of layered, textured blocks, the artwork uses rich earth tones and muted blacks, emphasizing the raw, tactile quality of the woodcut medium on handmade Okawara paper. Each horizontal section, marked by irregular lines and subtle color variations, evokes a sense of rugged stability and quiet intensity. Signed, titled, and dated by Scully, this limited edition print combines geometric simplicity with expressive depth, embodying the artist’s exploration of balance, space, and materiality.
Standing II, 1986
form
Medium
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123.2 x 91.4 cm
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Edition
Price
Details
Artist
Styles
Color woodcut on handmade Okawara paper -Signed, titled, dated and numbered in pencil // Standing II by Sean Scully, a color woodcut created in 1986, reflects the artist’s signature style of structured abstraction. Composed of layered, textured blocks, the artwork uses rich earth tones and muted blacks, emphasizing the raw, tactile quality of the woodcut medium on handmade Okawara paper. Each horizontal section, marked by irregular lines and subtle color variations, evokes a sense of rugged stability and quiet intensity. Signed, titled, and dated by Scully, this limited edition print combines geometric simplicity with expressive depth, embodying the artist’s exploration of balance, space, and materiality.
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What is Postminimalism?
Postminimalism refers to a range of art styles that emerged in the 1960s, following the Minimalism movement. While Minimalism focused on simplicity and impersonality, Postminimalist artists retained some elements of Minimalism but also explored greater expressiveness, experimenting with new materials and techniques. This movement includes various forms of art such as conceptual art, body art, performance art, process art, and site-specific works. Postminimalism represents a shift toward more personal, tactile, and process-oriented approaches to art-making.
