Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (SF-345)

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Untitled (SF-356)

Sam Francis, Web (SFS-136), screenprint with splashes and drips of red, yellow, and blue on white background, resembling cosmic clusters.

Screenprint on wove paper - Signed and numbered in pencil, with studio blindstamp // Sam Francis’ Web (SFS-136) (1972) is a screenprint that captures his signature exploration of color and abstraction. This vibrant piece features splashes and drips of primary colors—red, yellow, and blue—scattered across a white background. The composition’s spontaneous arrangement of layered, overlapping hues gives it a dynamic, almost pulsating energy. Resembling cosmic clusters or interconnected webs, the shapes evoke both chaos and cohesion, drawing the viewer into a visual experience of controlled randomness. Printed on wove paper and signed with a studio blindstamp, this work exemplifies Francis’ ability to translate the essence of action painting into printmaking, offering a bold interplay of color and form.

Artwork Copyright © Sam Francis

Web (SFS-136), 1972

form

Medium

Edition

Screenprint on wove paper - Signed and numbered in pencil, with studio blindstamp // Sam Francis’ Web (SFS-136) (1972) is a screenprint that captures his signature exploration of color and abstraction. This vibrant piece features splashes and drips of primary colors—red, yellow, and blue—scattered across a white background. The composition’s spontaneous arrangement of layered, overlapping hues gives it a dynamic, almost pulsating energy. Resembling cosmic clusters or interconnected webs, the shapes evoke both chaos and cohesion, drawing the viewer into a visual experience of controlled randomness. Printed on wove paper and signed with a studio blindstamp, this work exemplifies Francis’ ability to translate the essence of action painting into printmaking, offering a bold interplay of color and form.

Artwork Copyright © Sam Francis

Sam Francis

Untitled (SF-345), 1991

Limited Edition Print

Lithograph

USD 20,000 - 25,000

Sam Francis

Web (SFS-136), 1972

Limited Edition Print

Screen-print

USD 23,000

Sam Francis

Untitled (SF-356), 1992

Limited Edition Print

Lithograph

USD 14,400

Sam Francis

Untitled (SFE-073RC), 1973

Limited Edition Print

Etching And Aquatint

USD 7,500 - 12,000

Sam Francis

In, On And Of Paper, #1, 1977

Drawing / Watercolor

Mixed Media

USD 32,000 - 36,000

Sam Francis

Untitled From The Papierski Portfolio, 1992

Limited Edition Print

Lithograph

EUR 6,000

Sam Francis

Private Listing

Drawing / Watercolor

Acrylic On Paper

Request Info

Sam Francis

Private Listing

Drawing / Watercolor

Gouache

Request Info

Sam Francis

Untitled (LAP19), 1972

Limited Edition Print

Lithograph

USD 1,550

Sam Francis

Spring Solution, 1972

Limited Edition Print

Lithograph

Inquire For Price

Sam Francis

Self Portrait (SF-051), 1976

Limited Edition Print

Lithograph

Inquire For Price

Sam Francis

Private Listing

Drawing / Watercolor

Acrylic On Paper

Request Info

Sam Francis

Untitled (SFE-029), 1983

Limited Edition Print

Aquatint

USD 14,400

Sam Francis

Untitled (SFE-014), 1984

Limited Edition Print

Aquatint

USD 12,900

Sam Francis

Untitled (SFE-072), 1989

Limited Edition Print

Mixed Media

USD 9,600

Sam Francis

Dark Cup (SF-141), 1973

Limited Edition Print

Lithograph

USD 6,700

Sam Francis

Salmon, 1973

Limited Edition Print

Etching

EUR 4,500

Sam Francis

Untitled From 1 Cent Life Portfolio, 1964

Limited Edition Print

Lithograph

EUR 590

Sam Francis

Untitled (SF-315), 1986

Limited Edition Print

Lithograph

USD 8,500

Sam Francis

Untitled - Memoire De La Liberté Portfolio (SF-346), 1991

Limited Edition Print

Lithograph

USD 14,400

Sam Francis

Metal Line, 1971

Limited Edition Print

Lithograph

USD 8,500

Sam Francis

SFE 079, 1992

Limited Edition Print

Etching

Currently Not Available

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What is action painting?

Action Painting is a style of painting where the physical act of creating art—such as gestural brushstrokes, splashing or dripping paint, or moving and dancing while applying paint—is considered essential to the artwork itself. This approach emphasizes the artist's movement and spontaneity as integral to the creative process.

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