Details
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Screenprint on wove paper - Signed and numbered in pencil, with studio blindstamp // Sam Francis’ Web (SFS-136) (1972) is a screenprint that captures his signature exploration of color and abstraction. This vibrant piece features splashes and drips of primary colors—red, yellow, and blue—scattered across a white background. The composition’s spontaneous arrangement of layered, overlapping hues gives it a dynamic, almost pulsating energy. Resembling cosmic clusters or interconnected webs, the shapes evoke both chaos and cohesion, drawing the viewer into a visual experience of controlled randomness. Printed on wove paper and signed with a studio blindstamp, this work exemplifies Francis’ ability to translate the essence of action painting into printmaking, offering a bold interplay of color and form.
Web (SFS-136), 1972
form
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105.4 x 135.9 cm
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Edition
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Details
Artist
Styles
Screenprint on wove paper - Signed and numbered in pencil, with studio blindstamp // Sam Francis’ Web (SFS-136) (1972) is a screenprint that captures his signature exploration of color and abstraction. This vibrant piece features splashes and drips of primary colors—red, yellow, and blue—scattered across a white background. The composition’s spontaneous arrangement of layered, overlapping hues gives it a dynamic, almost pulsating energy. Resembling cosmic clusters or interconnected webs, the shapes evoke both chaos and cohesion, drawing the viewer into a visual experience of controlled randomness. Printed on wove paper and signed with a studio blindstamp, this work exemplifies Francis’ ability to translate the essence of action painting into printmaking, offering a bold interplay of color and form.
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Sam Francis
Untitled From 1 Cent Life Portfolio, 1964
Limited Edition Print
Lithograph
Currently Not Available
What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
