Sam Francis

Untitled, 1984

106.7 X 73 inch

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Robert Rauschenberg's Relic (Speculations) screen-print, collage of fragmented images with industrial objects and abstract textures.

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15-color screenprint // Relic (Speculations) by Robert Rauschenberg, created in 1997, is a limited edition screen-print utilizing 15 colors, measuring 47.37 by 51 inches. The composition reflects Rauschenberg’s signature collage style, combining photographic elements and painterly textures. The piece features a layered and fragmented arrangement, depicting industrial and everyday objects like chains, chairs, and a wrecked vehicle, intertwined with abstract overlays. The imagery conveys a sense of decay and transformation, inviting viewers to interpret the relics and speculate on their histories. The work embodies Rauschenberg's approach of blending reality and abstraction, engaging the viewer in a dialogue between memory and materiality.

Artwork Copyright © Robert Rauschenberg

Robert Rauschenberg

Relic (Speculations), 1997

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120.3 x 129.5   cm
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Details

Artist

Styles

15-color screenprint // Relic (Speculations) by Robert Rauschenberg, created in 1997, is a limited edition screen-print utilizing 15 colors, measuring 47.37 by 51 inches. The composition reflects Rauschenberg’s signature collage style, combining photographic elements and painterly textures. The piece features a layered and fragmented arrangement, depicting industrial and everyday objects like chains, chairs, and a wrecked vehicle, intertwined with abstract overlays. The imagery conveys a sense of decay and transformation, inviting viewers to interpret the relics and speculate on their histories. The work embodies Rauschenberg's approach of blending reality and abstraction, engaging the viewer in a dialogue between memory and materiality.

Artwork Copyright © Robert Rauschenberg
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Robert Rauschenberg's Tibetan Keys (Bevel) sculpture, mixed media with photo-screenprinted Buddha and faucet imagery, angled design.

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Robert Rauschenberg's Studies for Chinese Summerhall, Painted Lamp, 1983 C-print, depicts a dimly lit bedside table with a traditional lamp and a vintage red telephone.

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Robert Rauschenberg's Individual collage with paper, fabric, and a silk medallion on Chinese Xuan paper, featuring gold leaf in a Plexiglas box.

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Robert Rauschenberg XI collage with layered prints, street signs, photos, and botanical diagram in abstract arrangement.

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Robert Rauschenberg In Transit Goddess Depot 2001 color lithograph with split storefront and turquoise wall imagery

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Limited Edition Print

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USD 6,600

Robert Rauschenberg One More and We Will Be More Than Halfway There lithograph with yellow stripes over collage of text and images.

Robert Rauschenberg

One More And We Will Be More Than Halfway There, From Suite Of Nine Prints, 1979

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USD 2,050

Robert Rauschenberg More Distant Visible Part of the Sea lithograph with red scissors chart, layered photos, and textured elements.

Robert Rauschenberg

More Distant Visible Part Of The Sea, From Suite Of Nine Prints, 1979

Limited Edition Print

Offset Print

USD 2,050

Robert Rauschenberg Two Reasons Birds Sing lithograph with collage of photographic images, screenprint in subtle blue and gray tones.

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Two Reasons Birds Sing, From Suite Of Nine Prints, 1979

Limited Edition Print

Offset Print

USD 2,050

Robert Rauschenberg Publicon Station I 1978 wall sculpture with gold paddle, colorful panels, and glowing blue light.

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Robert Rauschenberg lithograph with collage of layered photos, abstract textures, and printed imagery in soft tones and muted colors.

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People Have Enough Trouble Without Being Intimidated By An Artichoke, 1979

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Private Listing

Robert Rauschenberg

Private Listing

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Robert Rauschenberg Bradley Anagram inkjet dye transfer featuring Coca-Cola sign, white flower, and urban textures on paper.

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Robert Rauschenberg's Pre-Morocco lithograph blends various patterns, grids, stripes, and photographic images in vibrant colors.

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Pre-Morocco, 1983

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Robert Rauschenberg's Page IV, 1974 mixed media with handmade paper sheets connected by a coiled string, minimalist and textured.

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Page IV, 1974

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USD 1,250

Robert Rauschenberg, Tribute 21: Art, lithograph, 1994. Collage with abstract blue and pink gradient and a photo of construction debris.

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Tribute 21: Art, 1994

Limited Edition Print

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USD 4,950

Robert Rauschenberg, Tibetan Keys (Rectangle), mixed-media sculpture, 1987; rectangular form with photo-screenprinted images of yellow roses and architecture.

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USD 14,250

Robert Rauschenberg's Tibetan Keys (Double Bevel), 1987, trapezoidal mixed media sculpture with photo-screenprinted decals and vibrant visuals.

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Robert Rauschenberg's Tribute 21: Labor lithograph, large hammer above a rustic house with blue sky background and textured effects.

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Tribute 21: Labor, 1994

Limited Edition Print

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USD 6,750

Robert Rauschenberg's Tribute 21: Cinema lithograph, layered fragmented imagery with abstract textures and muted tones.

Robert Rauschenberg

Tribute 21: Cinema, 1994

Limited Edition Print

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USD 4,950

Robert Rauschenberg's Relic (Speculations) screen-print, collage of fragmented images with industrial objects and abstract textures.

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Relic (Speculations), 1997

Limited Edition Print

Screen-print

USD 11,900

Robert Rauschenberg's Site lithograph, urban collage featuring OPTICIEN sign, bicycles, and layered architectural details.

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Site, 2000

Limited Edition Print

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USD 6,750

Robert Rauschenberg’s Daydream (Speculations), screen print, shows layered images of domestic scenes with muted colors and overlapping visuals.

Robert Rauschenberg

Daydream (Speculations), 1997

Limited Edition Print

Screen-print

USD 12,950

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What is appropriation?
Artwork by Shepard Fairey

What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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