
Details
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From the Eight by Eight to Celebrate the Temporary Contemporary portfolio, a portfolio of prints by eight artists produced to help raise funds for the Museum of Contemporary Art, Los Angeles (MOCA). - Lithograph in colors on BFK Rives - Image: 34.25 × 23 in (87 × 58 cm) - Sheet: 41.25 × 29 in (105 × 74 cm) - Signed and numbered to lower edge - Printed by ULAE, West Islip, NY and published by The Museum of Contemporary Art, Los Angeles. // Robert Rauschenberg's Pre-Morocco (1983) is a lithograph in vibrant colors, created as part of the Eight by Eight to Celebrate the Temporary Contemporary portfolio. This eclectic composition blends various textures and patterns, with overlapping images that create a collage-like effect. The artwork juxtaposes grid patterns, stripes, and photographic images, all unified by a palette of reds, greens, purples, and blacks. The layering of fabrics, objects, and abstract forms draws attention to the contrast between the textures and the dynamic interplay of both color and form. Rauschenberg’s signature approach of mixing media and themes is on full display, reflecting his ability to fuse everyday imagery with artistic abstraction. Produced on BFK Rives paper, the piece was signed and numbered at the bottom edge. This print was created to raise funds for the Museum of Contemporary Art (MOCA) in Los Angeles, with ULAE in West Islip, NY responsible for the printing.
Pre-Morocco, 1983
form
Medium
Size
105 x 74 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
From the Eight by Eight to Celebrate the Temporary Contemporary portfolio, a portfolio of prints by eight artists produced to help raise funds for the Museum of Contemporary Art, Los Angeles (MOCA). - Lithograph in colors on BFK Rives - Image: 34.25 × 23 in (87 × 58 cm) - Sheet: 41.25 × 29 in (105 × 74 cm) - Signed and numbered to lower edge - Printed by ULAE, West Islip, NY and published by The Museum of Contemporary Art, Los Angeles. // Robert Rauschenberg's Pre-Morocco (1983) is a lithograph in vibrant colors, created as part of the Eight by Eight to Celebrate the Temporary Contemporary portfolio. This eclectic composition blends various textures and patterns, with overlapping images that create a collage-like effect. The artwork juxtaposes grid patterns, stripes, and photographic images, all unified by a palette of reds, greens, purples, and blacks. The layering of fabrics, objects, and abstract forms draws attention to the contrast between the textures and the dynamic interplay of both color and form. Rauschenberg’s signature approach of mixing media and themes is on full display, reflecting his ability to fuse everyday imagery with artistic abstraction. Produced on BFK Rives paper, the piece was signed and numbered at the bottom edge. This print was created to raise funds for the Museum of Contemporary Art (MOCA) in Los Angeles, with ULAE in West Islip, NY responsible for the printing.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.