Sam Francis

Untitled, 1984

106.7 X 73 inch

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One More and We Will Be More Than Halfway There, from Suite of Nine Prints

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Two Reasons Birds Sing, from Suite of Nine Prints

Robert Rauschenberg More Distant Visible Part of the Sea lithograph with red scissors chart, layered photos, and textured elements.

Details

Artist

Styles

Offset lithograph with screenprint in colours, on wove paper. - Signed, numbered and dated in pencil. - Printed by Styria Studio, with their blindstamp, published by Multiples, Inc., New York. More Distant Visible Part of the Sea by Robert Rauschenberg is a dynamic composition from his 1979 Suite of Nine Prints. Combining offset lithograph with screenprint, the work merges vivid red tones with layered photographic imagery. A central catalog-style arrangement of scissors dominates the composition, overlaid with ghostly photographic portraits and textures. The juxtaposition of utilitarian precision with introspective figuration invites viewers to consider the tension between mass-produced visuals and personal memory. Rauschenberg’s technique of layering and transparency blurs the line between commercial imagery and fine art, reflecting his broader exploration of contemporary culture, objects, and identity.

Artwork Copyright © Robert Rauschenberg

Robert Rauschenberg

More Distant Visible Part of the Sea, from Suite of Nine Prints, 1979

form

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58.5 x 78   cm
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Details

Artist

Styles

Offset lithograph with screenprint in colours, on wove paper. - Signed, numbered and dated in pencil. - Printed by Styria Studio, with their blindstamp, published by Multiples, Inc., New York. More Distant Visible Part of the Sea by Robert Rauschenberg is a dynamic composition from his 1979 Suite of Nine Prints. Combining offset lithograph with screenprint, the work merges vivid red tones with layered photographic imagery. A central catalog-style arrangement of scissors dominates the composition, overlaid with ghostly photographic portraits and textures. The juxtaposition of utilitarian precision with introspective figuration invites viewers to consider the tension between mass-produced visuals and personal memory. Rauschenberg’s technique of layering and transparency blurs the line between commercial imagery and fine art, reflecting his broader exploration of contemporary culture, objects, and identity.

Artwork Copyright © Robert Rauschenberg
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Robert Rauschenberg's Tibetan Keys (Bevel) sculpture, mixed media with photo-screenprinted Buddha and faucet imagery, angled design.

Robert Rauschenberg

Tibetan Keys (Bevel), 1987

Sculpture / Object

Mixed Media

USD 14,250

Robert Rauschenberg's Studies for Chinese Summerhall, Painted Lamp, 1983 C-print, depicts a dimly lit bedside table with a traditional lamp and a vintage red telephone.

Robert Rauschenberg

Studies For Chinese Summerhall, Painted Lamp, 1983

Photography

C-Print

EUR 15,500

Robert Rauschenberg's One Lioner, lithograph; two figures interacting with abstract shapes and a lion’s head in the background.

Robert Rauschenberg

One Lioner, 2000

Limited Edition Print

Lithograph

Inquire For Price

Robert Rauschenberg Opal Gospel screen print sculpture with ram image layered with poetic text on transparent plexiglass.

Robert Rauschenberg

Opal Gospel, 1971

Sculpture / Object

Screen-print

USD 13,000 - 15,000

Robert Rauschenberg's Individual collage with paper, fabric, and a silk medallion on Chinese Xuan paper, featuring gold leaf in a Plexiglas box.

Robert Rauschenberg

Individual, 1982

Limited Edition Print

Collage

USD 8,500

Robert Rauschenberg In Transit Goddess Depot 2001 color lithograph with split storefront and turquoise wall imagery

Robert Rauschenberg

In Transit (Goddess Depot), 2001

Limited Edition Print

Lithograph

USD 6,600

Robert Rauschenberg One More and We Will Be More Than Halfway There lithograph with yellow stripes over collage of text and images.

Robert Rauschenberg

One More And We Will Be More Than Halfway There, From Suite Of Nine Prints, 1979

Limited Edition Print

Offset Print

USD 2,050

Robert Rauschenberg More Distant Visible Part of the Sea lithograph with red scissors chart, layered photos, and textured elements.

Robert Rauschenberg

More Distant Visible Part Of The Sea, From Suite Of Nine Prints, 1979

Limited Edition Print

Offset Print

USD 2,050

Robert Rauschenberg Two Reasons Birds Sing lithograph with collage of photographic images, screenprint in subtle blue and gray tones.

Robert Rauschenberg

Two Reasons Birds Sing, From Suite Of Nine Prints, 1979

Limited Edition Print

Offset Print

USD 2,050

Robert Rauschenberg Publicon Station I 1978 wall sculpture with gold paddle, colorful panels, and glowing blue light.

Robert Rauschenberg

Publicon Station I, 1978

Sculpture / Object

Mixed Media

Inquire For Price

Robert Rauschenberg lithograph with collage of layered photos, abstract textures, and printed imagery in soft tones and muted colors.

Robert Rauschenberg

People Have Enough Trouble Without Being Intimidated By An Artichoke, 1979

Limited Edition Print

Collage

Inquire For Price

Private Listing

Robert Rauschenberg

Private Listing

Drawing / Watercolor

Mixed Media

Request Info

Robert Rauschenberg Bradley Anagram inkjet dye transfer featuring Coca-Cola sign, white flower, and urban textures on paper.

Robert Rauschenberg

Bradley (Anagram), 1995

Limited Edition Print

Mixed Media

Inquire For Price

Robert Rauschenberg's Pre-Morocco lithograph blends various patterns, grids, stripes, and photographic images in vibrant colors.

Robert Rauschenberg

Pre-Morocco, 1983

Limited Edition Print

Lithograph

Inquire For Price

Robert Rauschenberg's Page IV, 1974 mixed media with handmade paper sheets connected by a coiled string, minimalist and textured.

Robert Rauschenberg

Page IV, 1974

Limited Edition Print

Mixed Media

USD 1,250

Robert Rauschenberg, Tribute 21: Art, lithograph, 1994. Collage with abstract blue and pink gradient and a photo of construction debris.

Robert Rauschenberg

Tribute 21: Art, 1994

Limited Edition Print

Lithograph

USD 4,950

Robert Rauschenberg, Tibetan Keys (Rectangle), mixed-media sculpture, 1987; rectangular form with photo-screenprinted images of yellow roses and architecture.

Robert Rauschenberg

Tibetan Keys (Rectangle), 1987

Sculpture / Object

Mixed Media

USD 14,250

Robert Rauschenberg's Tibetan Keys (Double Bevel), 1987, trapezoidal mixed media sculpture with photo-screenprinted decals and vibrant visuals.

Robert Rauschenberg

Tibetan Keys (Double Bevel), 1987

Sculpture / Object

Mixed Media

USD 16,500

Robert Rauschenberg's Tribute 21: Labor lithograph, large hammer above a rustic house with blue sky background and textured effects.

Robert Rauschenberg

Tribute 21: Labor, 1994

Limited Edition Print

Lithograph

USD 6,750

Robert Rauschenberg's Tribute 21: Cinema lithograph, layered fragmented imagery with abstract textures and muted tones.

Robert Rauschenberg

Tribute 21: Cinema, 1994

Limited Edition Print

Lithograph

USD 4,950

Robert Rauschenberg's Relic (Speculations) screen-print, collage of fragmented images with industrial objects and abstract textures.

Robert Rauschenberg

Relic (Speculations), 1997

Limited Edition Print

Screen-print

USD 11,900

Robert Rauschenberg's Site lithograph, urban collage featuring OPTICIEN sign, bicycles, and layered architectural details.

Robert Rauschenberg

Site, 2000

Limited Edition Print

Lithograph

USD 6,750

Robert Rauschenberg’s Daydream (Speculations), screen print, shows layered images of domestic scenes with muted colors and overlapping visuals.

Robert Rauschenberg

Daydream (Speculations), 1997

Limited Edition Print

Screen-print

USD 12,950

Robert Rauschenberg’s Tribute 21: Education, lithograph, features abstract textures and layered imagery in muted tones of brown and gray.

Robert Rauschenberg

Tribute 21: Education, 1994

Limited Edition Print

Lithograph

USD 4,950

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What is appropriation?
Artwork by Shepard Fairey

What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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