Sam Francis

Untitled, 1984

106.7 X 73 inch

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Local Color (Scenario Series)

Robert Rauschenberg's Landmark, two-color lithograph with layered urban images, portraits, and abstract elements.

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Artist

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Two Color Lithograph - Signed, Dated Numbered // Landmark by Robert Rauschenberg, created in 1968, is a limited edition lithograph that showcases the artist’s innovative approach to visual storytelling. This two-color lithograph presents a layered composition of various images, including photographic representations of urban environments, personal portraits, and abstract elements. The arrangement feels fragmented, yet interconnected, with sections highlighted in warm beige tones contrasting with darker, shadowy areas. Rauschenberg’s work often plays with the juxtaposition of seemingly unrelated visuals, and Landmark invites the viewer to contemplate themes of memory, identity, and the passage of time. Signed, dated, and numbered, this piece reflects Rauschenberg's exploration of modern life's complexity and layered realities.

Artwork Copyright © Robert Rauschenberg

Robert Rauschenberg

Landmark, 1968

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106.7 x 73.7   cm
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Details

Artist

Styles

Two Color Lithograph - Signed, Dated Numbered // Landmark by Robert Rauschenberg, created in 1968, is a limited edition lithograph that showcases the artist’s innovative approach to visual storytelling. This two-color lithograph presents a layered composition of various images, including photographic representations of urban environments, personal portraits, and abstract elements. The arrangement feels fragmented, yet interconnected, with sections highlighted in warm beige tones contrasting with darker, shadowy areas. Rauschenberg’s work often plays with the juxtaposition of seemingly unrelated visuals, and Landmark invites the viewer to contemplate themes of memory, identity, and the passage of time. Signed, dated, and numbered, this piece reflects Rauschenberg's exploration of modern life's complexity and layered realities.

Artwork Copyright © Robert Rauschenberg
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Robert Rauschenberg's Tibetan Keys (Bevel) sculpture, mixed media with photo-screenprinted Buddha and faucet imagery, angled design.

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Robert Rauschenberg's One Lioner, lithograph; two figures interacting with abstract shapes and a lion’s head in the background.

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Robert Rauschenberg Opal Gospel screen print sculpture with ram image layered with poetic text on transparent plexiglass.

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Robert Rauschenberg's Individual collage with paper, fabric, and a silk medallion on Chinese Xuan paper, featuring gold leaf in a Plexiglas box.

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Robert Rauschenberg XI collage with layered prints, street signs, photos, and botanical diagram in abstract arrangement.

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XI (from Horsefeathers Thirteen), 1972

Limited Edition Print

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Robert Rauschenberg In Transit Goddess Depot 2001 color lithograph with split storefront and turquoise wall imagery

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Robert Rauschenberg One More and We Will Be More Than Halfway There lithograph with yellow stripes over collage of text and images.

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One More And We Will Be More Than Halfway There, From Suite Of Nine Prints, 1979

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Robert Rauschenberg More Distant Visible Part of the Sea lithograph with red scissors chart, layered photos, and textured elements.

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More Distant Visible Part Of The Sea, From Suite Of Nine Prints, 1979

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Robert Rauschenberg Two Reasons Birds Sing lithograph with collage of photographic images, screenprint in subtle blue and gray tones.

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Two Reasons Birds Sing, From Suite Of Nine Prints, 1979

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Robert Rauschenberg Publicon Station I 1978 wall sculpture with gold paddle, colorful panels, and glowing blue light.

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Robert Rauschenberg lithograph with collage of layered photos, abstract textures, and printed imagery in soft tones and muted colors.

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People Have Enough Trouble Without Being Intimidated By An Artichoke, 1979

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Robert Rauschenberg Bradley Anagram inkjet dye transfer featuring Coca-Cola sign, white flower, and urban textures on paper.

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Bradley (Anagram), 1995

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Robert Rauschenberg's Pre-Morocco lithograph blends various patterns, grids, stripes, and photographic images in vibrant colors.

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Pre-Morocco, 1983

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Robert Rauschenberg's Page IV, 1974 mixed media with handmade paper sheets connected by a coiled string, minimalist and textured.

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Page IV, 1974

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Robert Rauschenberg, Tribute 21: Art, lithograph, 1994. Collage with abstract blue and pink gradient and a photo of construction debris.

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Robert Rauschenberg, Tibetan Keys (Rectangle), mixed-media sculpture, 1987; rectangular form with photo-screenprinted images of yellow roses and architecture.

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Robert Rauschenberg's Tibetan Keys (Double Bevel), 1987, trapezoidal mixed media sculpture with photo-screenprinted decals and vibrant visuals.

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Tribute 21: Labor, 1994

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Robert Rauschenberg's Tribute 21: Cinema lithograph, layered fragmented imagery with abstract textures and muted tones.

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Tribute 21: Cinema, 1994

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Robert Rauschenberg's Site lithograph, urban collage featuring OPTICIEN sign, bicycles, and layered architectural details.

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Site, 2000

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Robert Rauschenberg’s Tribute 21: Education, lithograph, features abstract textures and layered imagery in muted tones of brown and gray.

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Robert Rauschenberg’s Untitled (Doctors of the World), lithograph, shows layered imagery of a child, a basketball, flowers, and abstract patterns.

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Robert Rauschenberg’s Rays, lithograph and screenprint, features abstract shapes, a bat, a moon-like object, and a red square in a layered composition.

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Robert Rauschenberg's Fence, lithograph, combines layered urban photographs and abstract brush strokes in earthy tones and deep blue.

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Robert Rauschenberg’s One More & We Will Be More Than Halfway There screen print with layered abstract forms, stripes, and text.

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Limited Edition Print

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Robert Rauschenberg's The Tramp, collage with blue photo, abstract cream shapes, and textured embossing.

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The Tramp, 1974

Limited Edition Print

Mixed Media

USD 4,350

Robert Rauschenberg's Landmark, two-color lithograph with layered urban images, portraits, and abstract elements.

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Landmark, 1968

Limited Edition Print

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Limited Edition Print

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Robert Rauschenberg's Local Color, monotype with urban photos, street scenes, objects, and an interior door.

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Robert Rauschenberg's Brake, lithograph with abstract brushstrokes and images of astronauts from the Stoned Moon Series.

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Brake (Stoned Moon Series), 1969

Limited Edition Print

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Robert Rauschenberg's Bait, color lithograph with abstract shapes, diagrams, and human figures from the Stoned Moon Series.

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Robert Rauschenberg's Publicon Station V (1978), mixed media sculpture with wood, fabric, brick, chain, and mechanical components.

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Robert Rauschenberg's Happiness lithograph, 1994, collage of architectural drawings and floral imagery with blue, red, and earthy tones.

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Robert RAUSCHENBERG | Untitled (Native American with Truck) | Pigment print available for sale on composition gallery

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Robert Rauschenberg International Very Special Arts Festival lithograph with floral collage, abstract blocks, and central event text.

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Limited Edition Print

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Robert Rauschenberg Caucus 1997 serigraph with abstract forms and fragmented images, featuring dynamic gestural strokes.

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Robert Rauschenberg's Best Buddies, 1992 screen-print, combines pencil outline and monochrome photo collage of dogs, exploring commercial themes.

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Limited Edition Print

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Robert Rauschenberg's Opal Gospel Panel II, screen-print on Plexiglass, features geometric shapes and poetic text with fern-like patterns.

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Opal Gospel Panel II, 1971

Limited Edition Print

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USD 1,650

Robert Rauschenberg Tribute 21 Environment lithograph, layered abstract and industrial imagery with fragmented central figure.

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Tribute 21 (Environment), 1994

Limited Edition Print

Lithograph

Inquire For Price

Robert Rauschenberg's Opal Gospel Panel III screen print on Plexiglass with a luminous, opalescent shape and poetic text on a gray background.

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Opal Gospel Panel III, 1971

Limited Edition Print

Screen-print

USD 2,400

Robert Rauschenberg's Opal Gospel Panel I screen-print on Plexiglass with a bighorn sheep image and inspirational text above.

Robert Rauschenberg

Opal Gospel Panel I, 1971

Limited Edition Print

Screen-print

USD 1,850

Robert Rauschenberg Richard Hines Gallery, Seattle, 1979 offset-lithograph collage with floral and plaid patterns, photos, and handwritten details.

Robert Rauschenberg

Richard Hines Gallery, Seattle, 1979

Limited Edition Print

Mixed Media

USD 3,200

Robert Rauschenberg Shirtboards Morocco Italy mixed media collage with leaf sketches on textured brown board with large negative space.

Robert Rauschenberg

Shirtboards Morocco, Italy, 1991

Limited Edition Print

Collage

USD 2,650

Robert Rauschenberg's Opal Gospel Panel V, 1971 screen-print on Plexiglass, combines a foot image, nautilus shell, and text fragments for depth.

Robert Rauschenberg

Opal Gospel Panel V, 1971

Limited Edition Print

Screen-print

Inquire For Price

Robert Rauschenberg’s Horsefeathers Thirteen I, mixed media print with collage and various textures on handmade paper, layered composition.

Robert Rauschenberg

Horsefeathers Thirteen I, 1972

Limited Edition Print

Mixed Media

Currently Not Available

Robert Rauschenberg photogravure Plate from Photogravures Suite 1; industrial scene with a sketched figure on horseback, black and white.

Robert Rauschenberg

Plate From Photogravures Suite 1, 1983

Limited Edition Print

Photogravure

Currently Not Available

Robert Rauschenberg, Lion Rhyme, lithograph, abstract composition with dark blue, black, and vivid orange shapes on layered textured background.

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Lion Rhyme, 1993

Limited Edition Print

Lithograph

Currently Not Available

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What is appropriation?
Artwork by Shepard Fairey

What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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