Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (Rulers II)

Rita McBride's Mae West, 2010, woodcut and aquatint, geometric grid with vibrant colors and central black-gray diamond tower structure.
Rita McBride is an American sculptor who is especially famous for her large scale sculptures. She attended Bard College in New York and went on to attend California Institute of the Arts where she received her MFA. She lives and works in both Los Angeles, and Dusseldorf, Germany and is a professor at The Kunstakademie, Dusseldor Read More
Artwork Copyright © Rita McBride

Mae West, 2010

form
Medium

Aquatint and woodcut -Printed on Somerset Satin of 180 x 135 cm. Edition of 7 // Mae West by Rita M (...) Show More
Rita McBride is an American sculptor who is especially famous for her large scale sculptures. She attended Bard College in New York and went on to attend California Institute of the Arts where she received her MFA. She lives and works in both Los Angeles, and Dusseldorf, Germany and is a professor at The Kunstakademie, Dusseldor Read More
Artwork Copyright © Rita McBride

Rita McBride

Mae West, 2010

Limited Edition Print

Woodcut

EUR 15,000

Rita McBride

Untitled (Rulers II), 2011

Photography

Photogravure

EUR 900

Rita McBride

Untitled (Rulers III), 2011

Photography

Photogravure

EUR 900

Rita McBride

Untitled (Rulers IV), 2011

Photography

Photogravure

EUR 900

Rita McBride

BINGO, 2014

Limited Edition Print

Offset Print

EUR 7,000

Rita McBride

Blueprint, 2011

Limited Edition Print

Woodcut

Currently Not Available

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What is site specific art?

Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.

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