
Gouache on paper, signed and titled on the reverse.
'Gouache for Yvon Lambert' by Richard Tuttle is a gouache on paper measuring 34.8 × 27.6 cm, made in 1973. A fine vertical line bisects the composition, from which roughly twenty small, irregular paint fragments radiate alternately left and right — each a torn or brushed shape in a distinct hue: burnt brown, slate grey, deep red, forest green, lavender, teal, near-black. The palette moves from darker, muddier tones at the top toward richer, more saturated colours below, though no rigid sequence governs the arrangement. The work belongs to Tuttle's early post-minimalist practice, in which handmade intimacy and deliberate modesty of scale were central concerns. The title's dedication to Yvon Lambert — the Parisian dealer who was among the first to champion Tuttle's work in Europe — situates it within a significant early moment of international recognition for the artist.
Gouache for Yvon Lambert, 1973
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Gouache on paper, signed and titled on the reverse.
'Gouache for Yvon Lambert' by Richard Tuttle is a gouache on paper measuring 34.8 × 27.6 cm, made in 1973. A fine vertical line bisects the composition, from which roughly twenty small, irregular paint fragments radiate alternately left and right — each a torn or brushed shape in a distinct hue: burnt brown, slate grey, deep red, forest green, lavender, teal, near-black. The palette moves from darker, muddier tones at the top toward richer, more saturated colours below, though no rigid sequence governs the arrangement. The work belongs to Tuttle's early post-minimalist practice, in which handmade intimacy and deliberate modesty of scale were central concerns. The title's dedication to Yvon Lambert — the Parisian dealer who was among the first to champion Tuttle's work in Europe — situates it within a significant early moment of international recognition for the artist.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

Richard Tuttle
Gouache for Yvon Lambert, 1973
34.8 x 27.6 cm










