Sam Francis

Untitled, 1984

106.7 X 73 inch

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Sugarlift Spade

Richard Diebenkorn, Spade Drypoint, drypoint print. Abstract black spade-like lines layered in a fluid form on a soft shaded background.

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Drypoint on J Whatman laid paper - Signed and numbered in pencil // Richard Diebenkorn, Spade Drypoint is a drypoint print created in 1982. This limited-edition work features delicate, linear abstractions in black, reminiscent of fluid architectural forms or organic structures. The central shape, composed of sweeping, layered lines, evokes a spade-like form, enclosed within a rectangular frame. The crisp yet subtle lines, created through the drypoint technique, produce a sense of depth and texture, contrasting against the softer background. Diebenkorn's mastery of line and form is evident in the way the abstract elements interact with the negative space. Printed on J. Whatman laid paper, the print is signed and numbered in pencil, with an edition size of 50. This work is a testament to Diebenkorn’s exploration of minimalism and abstraction, emphasizing the expressive potential of simple, well-executed lines.

Artwork Copyright © Richard Diebenkorn

Richard Diebenkorn

Spade Drypoint, 1982

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59.4 x 46.8   cm
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Drypoint on J Whatman laid paper - Signed and numbered in pencil // Richard Diebenkorn, Spade Drypoint is a drypoint print created in 1982. This limited-edition work features delicate, linear abstractions in black, reminiscent of fluid architectural forms or organic structures. The central shape, composed of sweeping, layered lines, evokes a spade-like form, enclosed within a rectangular frame. The crisp yet subtle lines, created through the drypoint technique, produce a sense of depth and texture, contrasting against the softer background. Diebenkorn's mastery of line and form is evident in the way the abstract elements interact with the negative space. Printed on J. Whatman laid paper, the print is signed and numbered in pencil, with an edition size of 50. This work is a testament to Diebenkorn’s exploration of minimalism and abstraction, emphasizing the expressive potential of simple, well-executed lines.

Artwork Copyright © Richard Diebenkorn
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Richard Diebenkorn, Green Tree Spade, mixed media print. Abstract green tree-like form with textured surface, framed by bold black lines, and a blue horizontal stripe above.

Richard Diebenkorn

Green Tree Spade, 1982

Limited Edition Print

Mixed Media

USD 8,790

Richard Diebenkorn, Spade Drypoint, drypoint print. Abstract black spade-like lines layered in a fluid form on a soft shaded background.

Richard Diebenkorn

Spade Drypoint, 1982

Limited Edition Print

Drypoint

Inquire For Price

Richard Diebenkorn, Sugarlift Spade, aquatint. Abstract black spade-like shapes overlap in bold contrast against a white background.

Richard Diebenkorn

Sugarlift Spade, 1982

Limited Edition Print

Aquatint

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Richard Diebenkorn's Touch Red, muted geometric abstraction with soft beige and pastel tones bordered by thin lines, on white paper.

Richard Diebenkorn

Touch Red, 1991

Limited Edition Print

Mixed Media

Inquire For Price

Richard Diebenkorn Seated Woman lithograph featuring a gestural red sketch of a woman sitting in a relaxed pose on white paper.

Richard Diebenkorn

Seated Woman, 1965

Limited Edition Print

Lithograph

USD 3,250

Richard Diebenkorn's Double Map of Ireland 1990 etching featuring two abstract maps of Ireland, one dark and textured, the other light, with partial text.

Richard Diebenkorn

Double Map Of Ireland, 1990

Limited Edition Print

Etching

USD 2,990

Richard Diebenkorn's Coat IV 1990 etching featuring a solitary coat hanging within an archway, rendered with textured details in a monochromatic palette.

Richard Diebenkorn

Coat IV, 1990

Limited Edition Print

Etching

USD 2,650

Richard Diebenkorn Untitled (for Harvey Gantt) lithograph with gestural black strokes of a leaf-like form on striped background.

Richard Diebenkorn

Untitled (for Harvey Gantt), 1990

Limited Edition Print

Lithograph

USD 3,400

Richard Diebenkorn Untitled lithograph with black field, white organic shapes resembling clubs or spades, and red-blue accents.

Richard Diebenkorn

Untitled (from Club/Spade Group '81-82), 1986

Limited Edition Print

Lithograph

Inquire For Price

Richard Diebenkorn's Seated Woman in Arm Chair, 1965 lithograph, features a contemplative figure drawn in expressive black lines against a simple background.

Richard Diebenkorn

Seated Woman In Arm Chair, 1965

Limited Edition Print

Lithograph

Currently Not Available

Richard Diebenkorn, Softground Y, etching with minimalist Y-shaped lines and subtle marks on Rives BFK paper.

Richard Diebenkorn

Softground Y, 1982

Limited Edition Print

Etching

Currently Not Available

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What is Colour Field Painting?

Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.

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