Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (for Harvey Gantt)

Richard Diebenkorn's Coat IV 1990 etching featuring a solitary coat hanging within an archway, rendered with textured details in a monochromatic palette.

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Suite: Six Etchings for Poems of W.B. Yeats - Hand Initialed and numbered by Diebenkorn // Coat IV by Richard Diebenkorn, created in 1990, is an etching that is part of the suite Six Etchings for Poems of W.B. Yeats. This limited edition print portrays a solitary coat hanging within an archway, rendered with Diebenkorn's signature attention to line and texture. The piece, characterized by its simplicity, transforms an everyday object into a contemplative subject, emphasizing form and the subtle play of light and shadow. The etching’s monochromatic palette accentuates the coat’s worn, textured surface, inviting viewers to reflect on themes of presence, absence, and the passage of time. Diebenkorn’s skillful use of composition and space imbues the work with a quiet, meditative quality, showcasing his ability to turn the ordinary into something significant and evocative.

Artwork Copyright © Richard Diebenkorn

Richard Diebenkorn

Coat IV, 1990

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49.5 x 39.4   cm
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Details

Artist

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Suite: Six Etchings for Poems of W.B. Yeats - Hand Initialed and numbered by Diebenkorn // Coat IV by Richard Diebenkorn, created in 1990, is an etching that is part of the suite Six Etchings for Poems of W.B. Yeats. This limited edition print portrays a solitary coat hanging within an archway, rendered with Diebenkorn's signature attention to line and texture. The piece, characterized by its simplicity, transforms an everyday object into a contemplative subject, emphasizing form and the subtle play of light and shadow. The etching’s monochromatic palette accentuates the coat’s worn, textured surface, inviting viewers to reflect on themes of presence, absence, and the passage of time. Diebenkorn’s skillful use of composition and space imbues the work with a quiet, meditative quality, showcasing his ability to turn the ordinary into something significant and evocative.

Artwork Copyright © Richard Diebenkorn
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Richard Diebenkorn, Green Tree Spade, mixed media print. Abstract green tree-like form with textured surface, framed by bold black lines, and a blue horizontal stripe above.

Richard Diebenkorn

Green Tree Spade, 1982

Limited Edition Print

Mixed Media

USD 8,790

Richard Diebenkorn, Spade Drypoint, drypoint print. Abstract black spade-like lines layered in a fluid form on a soft shaded background.

Richard Diebenkorn

Spade Drypoint, 1982

Limited Edition Print

Drypoint

Inquire For Price

Richard Diebenkorn, Sugarlift Spade, aquatint. Abstract black spade-like shapes overlap in bold contrast against a white background.

Richard Diebenkorn

Sugarlift Spade, 1982

Limited Edition Print

Aquatint

Inquire For Price

Richard Diebenkorn's Touch Red, muted geometric abstraction with soft beige and pastel tones bordered by thin lines, on white paper.

Richard Diebenkorn

Touch Red, 1991

Limited Edition Print

Mixed Media

Inquire For Price

Richard Diebenkorn Seated Woman lithograph featuring a gestural red sketch of a woman sitting in a relaxed pose on white paper.

Richard Diebenkorn

Seated Woman, 1965

Limited Edition Print

Lithograph

USD 3,250

Richard Diebenkorn's Double Map of Ireland 1990 etching featuring two abstract maps of Ireland, one dark and textured, the other light, with partial text.

Richard Diebenkorn

Double Map Of Ireland, 1990

Limited Edition Print

Etching

USD 2,990

Richard Diebenkorn's Coat IV 1990 etching featuring a solitary coat hanging within an archway, rendered with textured details in a monochromatic palette.

Richard Diebenkorn

Coat IV, 1990

Limited Edition Print

Etching

USD 2,650

Richard Diebenkorn Untitled (for Harvey Gantt) lithograph with gestural black strokes of a leaf-like form on striped background.

Richard Diebenkorn

Untitled (for Harvey Gantt), 1990

Limited Edition Print

Lithograph

USD 3,400

Richard Diebenkorn Untitled lithograph with black field, white organic shapes resembling clubs or spades, and red-blue accents.

Richard Diebenkorn

Untitled (from Club/Spade Group '81-82), 1986

Limited Edition Print

Lithograph

Inquire For Price

Richard Diebenkorn's Seated Woman in Arm Chair, 1965 lithograph, features a contemplative figure drawn in expressive black lines against a simple background.

Richard Diebenkorn

Seated Woman In Arm Chair, 1965

Limited Edition Print

Lithograph

Currently Not Available

Richard Diebenkorn, Softground Y, etching with minimalist Y-shaped lines and subtle marks on Rives BFK paper.

Richard Diebenkorn

Softground Y, 1982

Limited Edition Print

Etching

Currently Not Available

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Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.

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