Sam Francis

Untitled, 1984

106.7 X 73 inch

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Folsom Street Variations II (Grey)

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Sugarlift Spade

Richard Diebenkorn, Spade Drypoint, drypoint print. Abstract black spade-like lines layered in a fluid form on a soft shaded background.

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Drypoint on J Whatman laid paper - Signed and numbered in pencil // Richard Diebenkorn, Spade Drypoint is a drypoint print created in 1982. This limited-edition work features delicate, linear abstractions in black, reminiscent of fluid architectural forms or organic structures. The central shape, composed of sweeping, layered lines, evokes a spade-like form, enclosed within a rectangular frame. The crisp yet subtle lines, created through the drypoint technique, produce a sense of depth and texture, contrasting against the softer background. Diebenkorn's mastery of line and form is evident in the way the abstract elements interact with the negative space. Printed on J. Whatman laid paper, the print is signed and numbered in pencil, with an edition size of 50. This work is a testament to Diebenkorn’s exploration of minimalism and abstraction, emphasizing the expressive potential of simple, well-executed lines.

Artwork Copyright © Richard Diebenkorn

Richard Diebenkorn

Spade Drypoint, 1982

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59.4 x 46.8   cm
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Drypoint on J Whatman laid paper - Signed and numbered in pencil // Richard Diebenkorn, Spade Drypoint is a drypoint print created in 1982. This limited-edition work features delicate, linear abstractions in black, reminiscent of fluid architectural forms or organic structures. The central shape, composed of sweeping, layered lines, evokes a spade-like form, enclosed within a rectangular frame. The crisp yet subtle lines, created through the drypoint technique, produce a sense of depth and texture, contrasting against the softer background. Diebenkorn's mastery of line and form is evident in the way the abstract elements interact with the negative space. Printed on J. Whatman laid paper, the print is signed and numbered in pencil, with an edition size of 50. This work is a testament to Diebenkorn’s exploration of minimalism and abstraction, emphasizing the expressive potential of simple, well-executed lines.

Artwork Copyright © Richard Diebenkorn
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Richard DIEBENKORN | Folsom Street Variations II (Grey) | Aquatint with drypoint, 1986 — available on Composition Gallery

Richard Diebenkorn

Folsom Street Variations II (Grey), 1986

Limited Edition Print

Mixed Media

USD 10,800

Richard Diebenkorn, Spade Drypoint, drypoint print. Abstract black spade-like lines layered in a fluid form on a soft shaded background.

Richard Diebenkorn

Spade Drypoint, 1982

Limited Edition Print

Drypoint

Inquire For Price

Richard Diebenkorn, Sugarlift Spade, aquatint. Abstract black spade-like shapes overlap in bold contrast against a white background.

Richard Diebenkorn

Sugarlift Spade, 1982

Limited Edition Print

Aquatint

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Richard Diebenkorn's Touched Red, muted geometric abstraction with soft beige and pastel tones bordered by thin lines, on white paper.

Richard Diebenkorn

Touched Red, 1991

Limited Edition Print

Mixed Media

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Richard Diebenkorn Seated Woman lithograph featuring a gestural red sketch of a woman sitting in a relaxed pose on white paper.

Richard Diebenkorn

Seated Woman, 1965

Limited Edition Print

Lithograph

USD 3,250

Richard Diebenkorn's Double Map of Ireland 1990 etching featuring two abstract maps of Ireland, one dark and textured, the other light, with partial text.

Richard Diebenkorn

Double Map Of Ireland, 1990

Limited Edition Print

Etching

USD 2,990

Richard Diebenkorn's Coat IV 1990 etching featuring a solitary coat hanging within an archway, rendered with textured details in a monochromatic palette.

Richard Diebenkorn

Coat IV, 1990

Limited Edition Print

Etching

USD 2,650

Richard Diebenkorn Untitled (for Harvey Gantt) lithograph with gestural black strokes of a leaf-like form on striped background.

Richard Diebenkorn

Untitled (for Harvey Gantt), 1990

Limited Edition Print

Lithograph

USD 3,400

Richard Diebenkorn Untitled lithograph with black field, white organic shapes resembling clubs or spades, and red-blue accents.

Richard Diebenkorn

Untitled (from Club/Spade Group '81-82), 1986

Limited Edition Print

Lithograph

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Richard Diebenkorn's Seated Woman in Arm Chair, 1965 lithograph, features a contemplative figure drawn in expressive black lines against a simple background.

Richard Diebenkorn

Seated Woman In Arm Chair, 1965

Limited Edition Print

Lithograph

Currently Not Available

Richard Diebenkorn, Green Tree Spade, mixed media print. Abstract green tree-like form with textured surface, framed by bold black lines, and a blue horizontal stripe above.

Richard Diebenkorn

Green Tree Spade, 1982

Limited Edition Print

Mixed Media

Currently Not Available

Richard Diebenkorn, Softground Y, etching with minimalist Y-shaped lines and subtle marks on Rives BFK paper.

Richard Diebenkorn

Softground Y, 1982

Limited Edition Print

Etching

Currently Not Available

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What is Bay Area Figurative Art ?
Artwork by Wayne Thiebaud

What is Bay Area Figurative Art ?

The Bay Area Figurative Movement, which also goes by the names Bay Area Figurative School, Bay Area Figurative Art, or Bay Area Figuration, came to existence in San-Francisco Bay Area. This was in the mid-20th century, when a group of artists from the area stopped working on the then popular Abstract Expressionism for a preference to figuration in painting. The movement lasted a total of two decades during the 1950's and 1960's.

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