Sam Francis

Untitled, 1984

106.7 X 73 inch

Piero Manzoni's Impronta del pollice sinistro lithograph, a magnified thumbprint in black and white, exploring identity and individuality.

// Impronta del pollice sinistro (Left Thumbprint) by Piero Manzoni is a limited edition lithograph from 1960 that emphasizes individuality and identity through the unique imprint of a thumb. This piece, showcasing a highly magnified fingerprint, distills personal identity into an iconic, abstract form. By focusing on the biometrics of the human body, Manzoni elevates the ordinary into the realm of art, inviting reflection on themes of existence, self, and human uniqueness. The lithograph’s simple black-and-white contrast accentuates the intricate details of the fingerprint, making each line a testament to individuality. With an edition size of only 60, this work is a powerful example of Manzoni's conceptual exploration of identity.

Artwork Copyright © Piero Manzoni

Impronta del pollice sinistro, 1960

form

Medium

Edition

// Impronta del pollice sinistro (Left Thumbprint) by Piero Manzoni is a limited edition lithograph from 1960 that emphasizes individuality and identity through the unique imprint of a thumb. This piece, showcasing a highly magnified fingerprint, distills personal identity into an iconic, abstract form. By focusing on the biometrics of the human body, Manzoni elevates the ordinary into the realm of art, inviting reflection on themes of existence, self, and human uniqueness. The lithograph’s simple black-and-white contrast accentuates the intricate details of the fingerprint, making each line a testament to individuality. With an edition size of only 60, this work is a powerful example of Manzoni's conceptual exploration of identity.

Artwork Copyright © Piero Manzoni

Piero Manzoni

Impronta Del Pollice Sinistro, 1960

Limited Edition Print

Lithograph

Currently Not Available

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What is Arte Povera?

A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.

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