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Signed and dated 2000, numbered on 150 and stamped with the editor's mark // California Nana Vase, created in 2000 by Niki de Saint Phalle, is a vibrant resin sculpture that celebrates the joyful essence of femininity. Standing 34 cm tall, this piece is part of de Saint Phalle’s renowned Nana series, known for its colorful, curvaceous figures that symbolize empowerment and playfulness. The vase features a bold array of swirling patterns and bright colors, with exaggerated, rounded forms that convey warmth and vitality. The glossy resin finish enhances its vivid palette, making it a visually striking piece that embodies de Saint Phalle’s whimsical and celebratory approach to art.
California Nana Vase, 2000
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34 x 19 X 19 cm
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Details
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Signed and dated 2000, numbered on 150 and stamped with the editor's mark // California Nana Vase, created in 2000 by Niki de Saint Phalle, is a vibrant resin sculpture that celebrates the joyful essence of femininity. Standing 34 cm tall, this piece is part of de Saint Phalle’s renowned Nana series, known for its colorful, curvaceous figures that symbolize empowerment and playfulness. The vase features a bold array of swirling patterns and bright colors, with exaggerated, rounded forms that convey warmth and vitality. The glossy resin finish enhances its vivid palette, making it a visually striking piece that embodies de Saint Phalle’s whimsical and celebratory approach to art.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
