
Details
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Etching; 35 signed and numbered copies; Perfect condition // Condeduque by Manolo Valdés, created in 1987, is a limited edition etching consisting of 35 signed and numbered copies. This artwork features a dark, moody composition with abstracted white forms that resemble fragments of faces or busts, set against a richly textured, shadowed background. The disjointed placement of these facial elements creates an eerie, surreal quality, as if the figures are emerging or receding into the surrounding darkness. Valdés’ use of stark contrast between light and dark, along with minimal detailing on the facial forms, emphasizes a sense of isolation and introspection. The title Condeduque evokes a historical or noble connotation, perhaps reflecting on identity and presence in the context of art history. This piece captures Valdés' skill in blending abstraction with emotional resonance.
Condeduque, 1987
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Medium
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96 x 63 cm
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Details
Artist
Styles
Etching; 35 signed and numbered copies; Perfect condition // Condeduque by Manolo Valdés, created in 1987, is a limited edition etching consisting of 35 signed and numbered copies. This artwork features a dark, moody composition with abstracted white forms that resemble fragments of faces or busts, set against a richly textured, shadowed background. The disjointed placement of these facial elements creates an eerie, surreal quality, as if the figures are emerging or receding into the surrounding darkness. Valdés’ use of stark contrast between light and dark, along with minimal detailing on the facial forms, emphasizes a sense of isolation and introspection. The title Condeduque evokes a historical or noble connotation, perhaps reflecting on identity and presence in the context of art history. This piece captures Valdés' skill in blending abstraction with emotional resonance.
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Manolo Valdés
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Limited Edition Print
Mixed Media
Currently Not Available
Manolo Valdés
Dama Con Sombrero (Pamela I), 2013
Limited Edition Print
Collage
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.