The artist began his studies in 1956 at the San Marcos Academy of Fine Arts but did not stay the course – he left after two brief years, in a hurry to commence his career. Valdes was drawn to Pop-Art, seeing it as a way of doing battle with the art establishment. Works from this era critique the political regimes of his day.
« I had this thought that I am now trying to reach back into the past, to the moment when these pictures were taken, and communicate with the people doing a séance over the radio waves. »
Manolo Valdes
Manolo Valdes
Equipo Crónica, a movement that was an offshoot of Pop-Art, was formed in 1961 as a means for Valdes to collaborate with his colleagues Rafael Solbes and Juan Antonio Toledo. Valdez works in a large style, creating grand sculptures and large-size paintings, as well as collages and etchings. He has won many awards for his works, including a Silver Medal in Tokyo’s second International Prints Biennial, the Alfons Roig Award in Valencia, Spain’s National Award for Fine Arts and the Officier de L’Ordre National du Mérite, in Paris, France. Now living and working in New York and Madrid, Valdes’ work has been shown in solo and group exhibitions and he has also been commissioned for public sculptures such as Reina Mariana, which stands in Monaco and Los Asturcones which stands in Oviedo, Spain. Read Less
