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In wooden frame. Actual work is 50cm x 50cm x 2cm; medium - paper, signature in pencil at the front // Sin título 2 by Luis Tomasello, created in 2012, is a mixed-media piece that emphasizes geometric precision and subtle optical effects. Four white vertical structures, each with an inner edge lined in alternating green and blue, project slightly from the surface, creating a play of light and shadow across the composition. The minimalistic design and careful arrangement of colors invite viewers to observe how light interacts with form, generating shifting shadows and subtle color reflections. This work demonstrates Tomasello's dedication to kinetic and optical art, where movement and perception are activated through the viewer's engagement with the piece.
s/t 2, 2012
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58 x 58 X 5 cm
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Details
Artist
Styles
In wooden frame. Actual work is 50cm x 50cm x 2cm; medium - paper, signature in pencil at the front // Sin título 2 by Luis Tomasello, created in 2012, is a mixed-media piece that emphasizes geometric precision and subtle optical effects. Four white vertical structures, each with an inner edge lined in alternating green and blue, project slightly from the surface, creating a play of light and shadow across the composition. The minimalistic design and careful arrangement of colors invite viewers to observe how light interacts with form, generating shifting shadows and subtle color reflections. This work demonstrates Tomasello's dedication to kinetic and optical art, where movement and perception are activated through the viewer's engagement with the piece.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
