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Framed // Dalla Memoria Di Una Citta #3 by Lee Ufan, created in 1989, is a lithograph that epitomizes the artist’s minimalist and meditative approach to art. The composition features sweeping black brushstrokes on a pale background, each mark varying in opacity and intensity. These bold strokes, combined with scattered spots and lighter textures, create a harmonious balance between emptiness and form, inviting viewers to contemplate the interplay of presence and absence. The deliberate placement of each brushstroke embodies Ufan’s philosophy of being and nothingness, encouraging a quiet reflection on spatial relationships. The simplicity of the monochromatic palette emphasizes the raw expression of each mark, resulting in an artwork that feels both restrained and powerful, resonating with Ufan’s exploration of memory, perception, and the essence of existence.
Lee UFAN | Dalla Memoria Di Una Citta #3, 1989
form
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Size
60 x 80 cm
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- Centimeters
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Price
Details
Artist
Styles
Framed // Dalla Memoria Di Una Citta #3 by Lee Ufan, created in 1989, is a lithograph that epitomizes the artist’s minimalist and meditative approach to art. The composition features sweeping black brushstrokes on a pale background, each mark varying in opacity and intensity. These bold strokes, combined with scattered spots and lighter textures, create a harmonious balance between emptiness and form, inviting viewers to contemplate the interplay of presence and absence. The deliberate placement of each brushstroke embodies Ufan’s philosophy of being and nothingness, encouraging a quiet reflection on spatial relationships. The simplicity of the monochromatic palette emphasizes the raw expression of each mark, resulting in an artwork that feels both restrained and powerful, resonating with Ufan’s exploration of memory, perception, and the essence of existence.
What is Mono-Ha?
Meaning School of Things, Mono-ha originated in Tokyo in the mid-1960s. Instead of creating traditional artwork, the artists of Mono-ha used different materials and their natural properties to express dismay at the industrialization taking place in Japan at the time. The movement gained international attention and is now a widely respected form of art, known for its emphasis on the relationship between materials and their environment.
