Lee Ufan – Lee UFAN | Dalla Memoria Di Una Citta #3, 1989 – Lithograph
Framed
Dalla Memoria Di Una Citta #3 by Lee Ufan, created in 1989, is a lithograph that epitomizes the artist’s minimalist and meditative approach to art. The composition features sweeping black brushstrokes on a pale background, each mark varying in opacity and intensity. These bold strokes, combined with scattered spots and lighter textures, create a harmonious balance between emptiness and form, inviting viewers to contemplate the interplay of presence and absence. The deliberate placement of each brushstroke embodies Ufan’s philosophy of being and nothingness, encouraging a quiet reflection on spatial relationships. The simplicity of the monochromatic palette emphasizes the raw expression of each mark, resulting in an artwork that feels both restrained and powerful, resonating with Ufan’s exploration of memory, perception, and the essence of existence.
Artwork Copyright © Lee Ufan
Lee Ufan (South Korea, 1936) is a pivotal figure in the Mono-ha movement. His minimalist works explore the relationship between materials and space, often juxtaposing natural and industrial elements. Known for meditative sculptures and restrained paintings, Lee’s art invites contemplation and emphasizes harmony between human presence and the natural world.
Artwork Copyright © Lee Ufan

Lee UFAN | Dalla Memoria Di Una Citta #3, 1989

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Framed
Dalla Memoria Di Una Citta #3 by Lee Ufan, created in 1989, is a lithograph that epitomizes the artist’s minimalist and meditative approach to art. The composition features sweeping black brushstrokes on a pale background, each mark varying in opacity and intensity. These bold strokes, combined with scattered spots and lighter textures, create a harmonious balance between emptiness and form, inviting viewers to contemplate the interplay of presence and absence. The deliberate placement of each brushstroke embodies Ufan’s philosophy of being and nothingness, encouraging a quiet reflection on spatial relationships. The simplicity of the monochromatic palette emphasizes the raw expression of each mark, resulting in an artwork that feels both restrained and powerful, resonating with Ufan’s exploration of memory, perception, and the essence of existence.
Artwork Copyright © Lee Ufan
Lee Ufan (South Korea, 1936) is a pivotal figure in the Mono-ha movement. His minimalist works explore the relationship between materials and space, often juxtaposing natural and industrial elements. Known for meditative sculptures and restrained paintings, Lee’s art invites contemplation and emphasizes harmony between human presence and the natural world.
Artwork Copyright © Lee Ufan
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Lee Ufan – Lee UFAN | Dalla Memoria Di Una Citta #3, 1989 – Lithograph

Lee Ufan

Lee UFAN | Dalla Memoria Di Una Citta #3, 1989

Limited Edition Print

Lithograph

Currently Not Available

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What is minimalism?

What is minimalism?

Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.

Lee Ufan – Lee UFAN | Dalla Memoria Di Una Citta #3, 1989 – Lithograph

Lee Ufan

Lee UFAN | Dalla Memoria Di Una Citta #3, 1989

60 x 80 cm

Est. 2005 — twenty years of collecting, online.