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Screenprint from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph. Hand-signed and numbered by Noland. From The New York Collection for Stockholm. Published by Experiments in Art and Technology, Inc., New York. // A screenprint by Kenneth Noland from the historic New York Collection for Stockholm portfolio, published in 1973 by Experiments in Art and Technology (E.A.T.). Noland's contribution distils his signature Color Field vocabulary — concentric rings or chevron bands of pure, saturated hue — into a compact and luminous graphic statement. This landmark collaborative edition of 300, conceived by artists including Warhol, Rauschenberg and Oldenburg, bridged the New York and Stockholm art worlds at a pivotal moment in postwar art. Hand-signed and numbered by Noland.
Untitled from The New York Collection for Stockholm, 1973
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22.9 x 30.5 cm
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Details
Artist
Styles
Screenprint from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph. Hand-signed and numbered by Noland. From The New York Collection for Stockholm. Published by Experiments in Art and Technology, Inc., New York. // A screenprint by Kenneth Noland from the historic New York Collection for Stockholm portfolio, published in 1973 by Experiments in Art and Technology (E.A.T.). Noland's contribution distils his signature Color Field vocabulary — concentric rings or chevron bands of pure, saturated hue — into a compact and luminous graphic statement. This landmark collaborative edition of 300, conceived by artists including Warhol, Rauschenberg and Oldenburg, bridged the New York and Stockholm art worlds at a pivotal moment in postwar art. Hand-signed and numbered by Noland.
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Kenneth Noland
Untitled From The New York Collection For Stockholm, 1973
Limited Edition Print
Screen-print
GBP 1,800
What is Systems Art?
Systems Art refers to a group of artists who, during the late 1960s and early 1970s, used the frameworks of conceptualism and minimalism to create art that was responsive to its environment. Rejecting traditional art themes, they embraced aesthetic systems and experimented with diverse media. Systems Art often connected with contemporary political movements of the time, emphasizing the interrelationship between the artwork, its context, and the broader social and political environment.
