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Screenprint from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph. Hand-signed and numbered by Noland. From The New York Collection for Stockholm. Published by Experiments in Art and Technology, Inc., New York. // A screenprint by Kenneth Noland from the historic New York Collection for Stockholm portfolio, published in 1973 by Experiments in Art and Technology (E.A.T.). Noland's contribution distils his signature Color Field vocabulary — concentric rings or chevron bands of pure, saturated hue — into a compact and luminous graphic statement. This landmark collaborative edition of 300, conceived by artists including Warhol, Rauschenberg and Oldenburg, bridged the New York and Stockholm art worlds at a pivotal moment in postwar art. Hand-signed and numbered by Noland.
Untitled from The New York Collection for Stockholm, 1973
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22.9 x 30.5 cm
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Details
Artist
Styles
Screenprint from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph. Hand-signed and numbered by Noland. From The New York Collection for Stockholm. Published by Experiments in Art and Technology, Inc., New York. // A screenprint by Kenneth Noland from the historic New York Collection for Stockholm portfolio, published in 1973 by Experiments in Art and Technology (E.A.T.). Noland's contribution distils his signature Color Field vocabulary — concentric rings or chevron bands of pure, saturated hue — into a compact and luminous graphic statement. This landmark collaborative edition of 300, conceived by artists including Warhol, Rauschenberg and Oldenburg, bridged the New York and Stockholm art worlds at a pivotal moment in postwar art. Hand-signed and numbered by Noland.
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Kenneth Noland
Untitled From The New York Collection For Stockholm, 1973
Limited Edition Print
Screen-print
GBP 1,800
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
