Index card with printed handwritten (wer nicht denken will fliegt raus) and typographic ( ‘sich selbst’ ) text. Hand-signed by the artist in pencil. Ref.: Schellmann ‘ Joseph Beuys – Multiples ’, 6th ed., 1985: nr. 172 (cfr. ‘card also sold separately’).
This characteristic multiple by Joseph Beuys distils his belief in thought, pedagogy, and the transformative power of art into a single humble index card. The printed handwritten phrase “wer nicht denken will fliegt raus” — whoever doesn’t want to think gets thrown out — is paired with the typographic title “sich selbst,” creating a layered interplay between the personal and the programmatic. Hand-signed in pencil by Beuys and catalogued in Schellmann’s definitive multiple reference, this deceptively simple object encapsulates the artist’s conviction that intellectual engagement is an essential human responsibility and the foundation of his expanded concept of art.
Joseph Beuys (Germany, 1921–1986) was a groundbreaking German conceptual artist, sculptor, and performance artist. Known for his use of unconventional materials such as felt and fat, Beuys explored themes of humanism, ecology, and social change. His famous mantra, 'Everyone is an artist,' emphasized creativity as a universal force. A leader in Fluxus, his works remain profoundly influential.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Index card with printed handwritten (wer nicht denken will fliegt raus) and typographic ( ‘sich selbst’ ) text. Hand-signed by the artist in pencil. Ref.: Schellmann ‘ Joseph Beuys – Multiples ’, 6th ed., 1985: nr. 172 (cfr. ‘card also sold separately’).
This characteristic multiple by Joseph Beuys distils his belief in thought, pedagogy, and the transformative power of art into a single humble index card. The printed handwritten phrase “wer nicht denken will fliegt raus” — whoever doesn’t want to think gets thrown out — is paired with the typographic title “sich selbst,” creating a layered interplay between the personal and the programmatic. Hand-signed in pencil by Beuys and catalogued in Schellmann’s definitive multiple reference, this deceptively simple object encapsulates the artist’s conviction that intellectual engagement is an essential human responsibility and the foundation of his expanded concept of art.
Joseph Beuys (Germany, 1921–1986) was a groundbreaking German conceptual artist, sculptor, and performance artist. Known for his use of unconventional materials such as felt and fat, Beuys explored themes of humanism, ecology, and social change. His famous mantra, 'Everyone is an artist,' emphasized creativity as a universal force. A leader in Fluxus, his works remain profoundly influential.
I think the tree is an element of regeneration which in itself is a concept of time.
- Joseph Beuys
Widely recognised as one of the most influential artists of the late 20th century, Joseph Beuys was a multi-faceted artist whose works were created through many different forms; traditional mediums such as painting and sculpture, as well as performance art and an involvement in social and political activities. Beuys, alongside Andy Warhol and Kaii Higashiyama, created the Global-Art-Fusion project in 1985; this was a fax-art project in which drawings of all three artists were distributed around the world within the space of 32 minutes – the fax went through Dusseldorf, New York, Tokyo and was finally received at Vienna's Palais-Liechtenstein Museum of Modern Art – the fax was taken to be a sign of peace during the Cold War. A lot of Beuys’ installations and performance art employed the use of unorthodox materials and adopted a ritualistic approach, often met with controversy; How to Explain Pictures To a Dead Hare is one of his most recognised performances – Beuys walked around the gallery for two hours while explaining the concept of the surrounding art to the dead hare that he carried with him.
A Happening is a term used to describe artistic and theatrical events held by artists in the 1950s and 60s. These events were typically staged in gallery installations or planned environments and often involved audience participation, along with elements like lighting, sounds, and slide projections. Happenings were a precursor to performance art, which later included the active participation of the artists themselves.