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Vinyl within its original case. Stamped ‘Beuys’ and numbered. A performance by Joseph Beuys, recorded in Staatliche Kunstakademie, Düsseldorf, in 1968. Performers: J. Beuys in collaboration with H. Christiansen and J. Stüttgen. This is the editioned work published by Mazzotta, Milan. Another exemplar of this work is included in the Bonotto collection, Molvena (VI), Italy: Bibliography: Schellmann, Klüser, Catalogue Raisonné of the Art Multiples of Joseph Beuys, p. 17. // This artist's book and vinyl multiple by Joseph Beuys documents his legendary performance Ja Ja Ja Ja Nee Nee Nee, recorded at the Staatliche Kunstakademie Düsseldorf in 1968. The work consists of a vinyl record housed in its original case, featuring bold red lettering spelling 'BEUYS' and a prominent red cross on the white cover, published by Gabriele Mazzotta Editore. Stamped with the artist's name and numbered, this piece captures the raw sonic dimension of Beuys's practice, where repetitive vocal affirmation and negation become a meditation on language, consciousness, and the limits of communication.
Ja Ja Ja Ja Nee Nee Nee, 1970
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60 x 50 cm
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Vinyl within its original case. Stamped ‘Beuys’ and numbered. A performance by Joseph Beuys, recorded in Staatliche Kunstakademie, Düsseldorf, in 1968. Performers: J. Beuys in collaboration with H. Christiansen and J. Stüttgen. This is the editioned work published by Mazzotta, Milan. Another exemplar of this work is included in the Bonotto collection, Molvena (VI), Italy: Bibliography: Schellmann, Klüser, Catalogue Raisonné of the Art Multiples of Joseph Beuys, p. 17. // This artist's book and vinyl multiple by Joseph Beuys documents his legendary performance Ja Ja Ja Ja Nee Nee Nee, recorded at the Staatliche Kunstakademie Düsseldorf in 1968. The work consists of a vinyl record housed in its original case, featuring bold red lettering spelling 'BEUYS' and a prominent red cross on the white cover, published by Gabriele Mazzotta Editore. Stamped with the artist's name and numbered, this piece captures the raw sonic dimension of Beuys's practice, where repetitive vocal affirmation and negation become a meditation on language, consciousness, and the limits of communication.
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