Sam Francis

Untitled, 1984

106.7 X 73 inch

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My Left Hand Holding a Square 4

Jonathan Monk, The Idea of an Empty Sliding, monotype, embossed squares scattered on blank white background, evoking gentle movement.
Jonathan Monk is a British artist living and working in Berlin, Germany. He creates photographs, film, sculpture and installation pieces which are thought to be humorous reinterpretations of works by Sol LeWitt, Ed Ruscha, and John Baldessari to name some. Monk often uses quotations to give new ideas to works viewed as seminal i Read More
Artwork Copyright © Jonathan Monk

The idea of an empty sliding, 2015

form
Medium

// The Idea of an Empty Sliding by Jonathan Monk is a unique monotype from 2015, produced as a single (...) Show More
Jonathan Monk is a British artist living and working in Berlin, Germany. He creates photographs, film, sculpture and installation pieces which are thought to be humorous reinterpretations of works by Sol LeWitt, Ed Ruscha, and John Baldessari to name some. Monk often uses quotations to give new ideas to works viewed as seminal i Read More
Artwork Copyright © Jonathan Monk

Jonathan Monk

Backside Brussels I, 2016

Sculpture / Object

Acrylic Sculpture

EUR 800

Jonathan Monk

Backside Brussels II, 2016

Sculpture / Object

Acrylic Sculpture

EUR 800

Jonathan Monk

Backside Brussels III, 2016

Sculpture / Object

Acrylic Sculpture

EUR 800

Jonathan Monk

Backside Brussels IV, 2016

Sculpture / Object

Acrylic Sculpture

EUR 800

Jonathan Monk

The Idea Of An Empty Sliding, 2015

Limited Edition Print

Monotype

EUR 3,000

Jonathan Monk

My Left Hand Holding A Square 4, 2008

Limited Edition Print

Drypoint

EUR 3,000

Jonathan Monk

COUNTING IN COLOUR, 2010

Limited Edition Print

Lithograph

EUR 3,200

Jonathan Monk

My Left Hand Holding A Piece 3 , 2008

Limited Edition Print

Drypoint

Currently Not Available

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What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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