Sam Francis

Untitled, 1984

106.7 X 73 inch

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James Rosenquist's Tide (2nd State), etching, fragmented blue geometric forms and circular elements, set against a textured background, 1976.

Details

Artist

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Original Etching on Pescia Italia paper, published by Multiples Inc. New York // James Rosenquist's Tide (2nd State) (1976) is a limited edition etching that exemplifies the artist's bold approach to composition and color. Printed on Pescia Italia paper and published by Multiples Inc., New York, the artwork measures 44.5 x 90.2 cm. The etching features a dynamic arrangement of fragmented geometric forms, set against a textured, blue-toned background. A prominent circular form on the right contrasts with angular, abstracted architectural shapes on the left, creating a sense of tension and movement. Rosenquist’s use of intricate lines and patterns adds depth, inviting viewers to explore the layered imagery. The interplay between solid forms and negative space gives the piece an almost cosmic or otherworldly feel, highlighting Rosenquist’s ability to blend abstraction with visual storytelling.

Artwork Copyright © James Rosenquist

James Rosenquist

Tide (2nd State), 1976

form

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44.5 x 90.2   cm
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Edition

Price

Details

Artist

Styles

Original Etching on Pescia Italia paper, published by Multiples Inc. New York // James Rosenquist's Tide (2nd State) (1976) is a limited edition etching that exemplifies the artist's bold approach to composition and color. Printed on Pescia Italia paper and published by Multiples Inc., New York, the artwork measures 44.5 x 90.2 cm. The etching features a dynamic arrangement of fragmented geometric forms, set against a textured, blue-toned background. A prominent circular form on the right contrasts with angular, abstracted architectural shapes on the left, creating a sense of tension and movement. Rosenquist’s use of intricate lines and patterns adds depth, inviting viewers to explore the layered imagery. The interplay between solid forms and negative space gives the piece an almost cosmic or otherworldly feel, highlighting Rosenquist’s ability to blend abstraction with visual storytelling.

Artwork Copyright © James Rosenquist
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James Rosenquist Whipped Butter For Eugene screenprint with bold red, yellow, and blue abstract forms on handmade paper.

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Whipped Butter For Eugene, 1965

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James Rosenquist's Forehead I, 1968 lithograph with bold colors, abstract bars, and swirling red forms, signed and numbered edition of 121.

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James Rosenquist's Moon Box, lithograph, shows a pergola structure casting an American flag's stars and stripes as shadows under a full moon.

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Moon Box, 1971

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James Rosenquist’s Ice Point from Art and Sport, lithograph, shows a fragmented face with blue eyes and red geometric lines.

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Ice Point From Art And Sport, 1983

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USD 4,450

James Rosenquist’s Yellow Landing, lithograph, shows a yellow square, circular form, and radiant lines with red splashes and geometric shapes.

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Yellow Landing, 1974

Limited Edition Print

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USD 11,900

James Rosenquist’s Woman in the Sun, lithograph, shows a circle filled with colorful dots and abstract black shapes on the left, with a red explosion form on the right.

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Woman In The Sun, 1991

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USD 4,450

James Rosenquist’s Nuclear Neighborhood, hand-colored etching, features abstract forms of blue architecture, black shapes, and yellow atomic-like symbols in contrasting sections.

James Rosenquist

Nuclear Neighborhood, 1977

Limited Edition Print

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USD 3,750

James Rosenquist’s Horse Blinders (South), lithograph and screenprint, combines vibrant colors and metallic surfaces with silver foil in an abstract composition.

James Rosenquist

Horse Blinders (South), 1972

Limited Edition Print

Screen-print

USD 6,200

James Rosenquist, Towel, Star, Sunglasses, hand-colored etching with vibrant colors, concentric rings, and sunglasses outline.

James Rosenquist

Towel, Star, Sunglasses, 1977

Limited Edition Print

Etching

USD 3,750

James Rosenquist's Where the Water Goes, 1989 collage print, faucet over a pink, blue, and green explosion, blending abstract and mechanical forms.

James Rosenquist

Where The Water Goes (from The Welcome To The Water Planet), 1989

Limited Edition Print

Collage

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James Rosenquist’s Universal Star Leg lithograph, red splattered background with geometric shapes and a suspended stone.

James Rosenquist

Universal Star Leg, 1974

Limited Edition Print

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USD 3,200

James Rosenquist, Federal Spending (second state), etching and aquatint, features three abstract red shapes suggesting division and balance.

James Rosenquist

Federal Spending (second State), 1978

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James Rosenquist's The World Art Festival lithograph features abstract floral forms, a treble clef, and rainbow bands on a vibrant background.

James Rosenquist

The World Art Festival, 1982

Limited Edition Print

Lithograph

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James Rosenquist's A Pale Angel's Halo (Yellow) lithograph depicts a yellow arch-like form with energetic lines on a white background.

James Rosenquist

A Pale Angels Halo (Yellow), 1973

Limited Edition Print

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James Rosenquist's Federal Spending etching features abstract purple, striped circular, and pink glasses forms on a white background.

James Rosenquist

Federal Spending, 1978

Limited Edition Print

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James Rosenquist's Miles screenprint features a blue circular explosion with text fragments over a multicolored striped background.

James Rosenquist

Miles, 1975

Limited Edition Print

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USD 2,000

James Rosenquist's Just Desert Israel 2nd State, 1979, intaglio with pochoir, features abstract geometric and organic forms in a monochromatic palette.

James Rosenquist

Just Desert Israel 2nd State, 1979

Limited Edition Print

Mixed Media

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James Rosenquist's Tide (2nd State), etching, fragmented blue geometric forms and circular elements, set against a textured background, 1976.

James Rosenquist

Tide (2nd State), 1976

Limited Edition Print

Etching

Inquire For Price

James Rosenquist's Swing Screen, etching and aquatint, dynamic composition with colorful circle, green shape, and triangle, 1976.

James Rosenquist

Swing Screen, 1976

Limited Edition Print

Etching And Aquatint

Inquire For Price

James Rosenquist, Window Washer Glass House, mixed media print with vibrant abstract shapes and colors on Pescia Italia paper.

James Rosenquist

Window Washer Glass House, 1978

Limited Edition Print

Mixed Media

USD 1,450

James Rosenquist Window Washer Glass House print with dark gray abstract lines, textures, and central embossed rectangular form.

James Rosenquist

Window Washer Glass House (black And White), 1978

Limited Edition Print

Mixed Media

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James Rosenquist's The Flame Still Dances on Leo's Book, 1997 lithograph, shows a vivid flame rising from a book with swirling smoke.

James Rosenquist

The Flame Still Dances On Leos Book, 1997

Limited Edition Print

Lithograph

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James ROSENQUIST | SPOKES (green) | Etching and Aquatint available for sale on composition gallery

James Rosenquist

SPOKES (green), 1978

Limited Edition Print

Etching And Aquatint

Inquire For Price

James Rosenquist The Kabuki Blushes mixed media print; bold colors, fragmented images, and textured layers creating a surreal atmosphere.

James Rosenquist

The Kabuki Blushes (from Secrets In Carnations), 1986

Limited Edition Print

Mixed Media

USD 8,950

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What is Hyper-realism?
Artwork by Robert Cottingham

What is Hyper-realism?

Hyperrealism is a genre of sculpture and painting that closely resembles high-resolution photographs. It is an evolution of Photorealism and is often applied to an independent art style or movement that became prominent in Europe and the United States in the early 2000s. Hyperrealist artists focus on extreme detail and precision, creating works that are often indistinguishable from real-life images.

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