Sam Francis

Untitled, 1984

106.7 X 73 inch

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James Rosenquist's Spokes, etching and aquatint with red circles, multicolored lines, and an abstract orange form on Pescia Italia paper.

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Artist

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2-color etching and aquatint with pochoir and paint applied with a tire. Printed on Pescia Italia. Signed by the artist. // James Rosenquist’s Spokes (1977) is a dynamic limited edition print that combines etching and aquatint with pochoir techniques, enhanced by hand-applied paint using a tire. This complex composition features swirling red circular patterns radiating from a central point, intersected by bold, multicolored lines and an abstract orange form on the left side. The overlapping textures and vivid colors evoke a sense of movement and energy, typical of Rosenquist's pop art style. Printed on Pescia Italia paper, this work captures Rosenquist’s fascination with technology and media, blending abstract forms and commercial aesthetics in a visually compelling way.

Artwork Copyright © James Rosenquist

James Rosenquist

Spokes , 1977

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58.4 x 101.6   cm
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Details

Artist

Styles

2-color etching and aquatint with pochoir and paint applied with a tire. Printed on Pescia Italia. Signed by the artist. // James Rosenquist’s Spokes (1977) is a dynamic limited edition print that combines etching and aquatint with pochoir techniques, enhanced by hand-applied paint using a tire. This complex composition features swirling red circular patterns radiating from a central point, intersected by bold, multicolored lines and an abstract orange form on the left side. The overlapping textures and vivid colors evoke a sense of movement and energy, typical of Rosenquist's pop art style. Printed on Pescia Italia paper, this work captures Rosenquist’s fascination with technology and media, blending abstract forms and commercial aesthetics in a visually compelling way.

Artwork Copyright © James Rosenquist
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James Rosenquist, Towel, Star, Sunglasses, hand-colored etching with vibrant colors, concentric rings, and sunglasses outline.

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James Rosenquist's The World Art Festival lithograph features abstract floral forms, a treble clef, and rainbow bands on a vibrant background.

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James Rosenquist's A Pale Angel's Halo (Yellow) lithograph depicts a yellow arch-like form with energetic lines on a white background.

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James Rosenquist's Federal Spending etching features abstract purple, striped circular, and pink glasses forms on a white background.

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Federal Spending, 1978

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James Rosenquist's Miles screenprint features a blue circular explosion with text fragments over a multicolored striped background.

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Miles, 1975

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James Rosenquist's Just Desert Israel 2nd State, 1979, intaglio with pochoir, features abstract geometric and organic forms in a monochromatic palette.

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Just Desert Israel 2nd State, 1979

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James Rosenquist's Tide (2nd State), etching, fragmented blue geometric forms and circular elements, set against a textured background, 1976.

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Tide (2nd State), 1976

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James Rosenquist's Swing Screen, etching and aquatint, dynamic composition with colorful circle, green shape, and triangle, 1976.

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James Rosenquist, Window Washer Glass House, mixed media print with vibrant abstract shapes and colors on Pescia Italia paper.

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James Rosenquist Window Washer Glass House print with dark gray abstract lines, textures, and central embossed rectangular form.

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James Rosenquist's The Flame Still Dances on Leo's Book, 1997 lithograph, shows a vivid flame rising from a book with swirling smoke.

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The Flame Still Dances On Leos Book, 1997

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James ROSENQUIST | SPOKES (green) | Etching and Aquatint available for sale on composition gallery

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SPOKES (green), 1978

Limited Edition Print

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James Rosenquist The Kabuki Blushes mixed media print; bold colors, fragmented images, and textured layers creating a surreal atmosphere.

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The Kabuki Blushes (from Secrets In Carnations), 1986

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What is appropriation?
Artwork by Shepard Fairey

What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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