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Hand-colored etchings // Nuclear Neighborhood by James Rosenquist is a complex, hand-colored etching that reflects the artist’s mastery of combining abstract imagery with socio-political themes. The composition is split into two distinct sections. On the left, a blue architectural structure with what appears to be a staircase is juxtaposed with a black abstract form. On the right, bright yellow geometric shapes are arranged in a circular, almost mechanical pattern, resembling atomic symbols. Rosenquist’s use of bold colors and contrasting forms alludes to the tension between technology, progress, and the potential dangers they pose, especially in the context of nuclear power and modern society.
Nuclear Neighborhood, 1977
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Medium
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45.1 x 90.8 cm
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Details
Artist
Styles
Hand-colored etchings // Nuclear Neighborhood by James Rosenquist is a complex, hand-colored etching that reflects the artist’s mastery of combining abstract imagery with socio-political themes. The composition is split into two distinct sections. On the left, a blue architectural structure with what appears to be a staircase is juxtaposed with a black abstract form. On the right, bright yellow geometric shapes are arranged in a circular, almost mechanical pattern, resembling atomic symbols. Rosenquist’s use of bold colors and contrasting forms alludes to the tension between technology, progress, and the potential dangers they pose, especially in the context of nuclear power and modern society.
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
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Sunglass Lens - Landing Net - Triangle, 1974
Limited Edition Print
Etching
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.