Details
Artist
Styles
Woodcut on Fabriano Rosipina Avorio 285gsm paper. Signed, numbered and blindstamped by the publisher on the front. // On Fabriano Rosipina Avorio, Invader cuts a tribute to Edvard Munch in stark black-and-white: at the top, two horizons march with pixel-aliens replacing Munch's anxious boardwalk crowd; below, faces in shawls and bowler hats emerge from Munchian wavering ground, dread and hypnotism present at once. Woodcut, signed, numbered and blindstamped by the publisher on the front. A rare woodcut from Invader's graphic practice, this is among the most art-historically charged sheets the anonymous Paris artist has issued — an essential acquisition.
Invaded Hypnosis, 2011
form
Medium
Size
30 x 24.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Woodcut on Fabriano Rosipina Avorio 285gsm paper. Signed, numbered and blindstamped by the publisher on the front. // On Fabriano Rosipina Avorio, Invader cuts a tribute to Edvard Munch in stark black-and-white: at the top, two horizons march with pixel-aliens replacing Munch's anxious boardwalk crowd; below, faces in shawls and bowler hats emerge from Munchian wavering ground, dread and hypnotism present at once. Woodcut, signed, numbered and blindstamped by the publisher on the front. A rare woodcut from Invader's graphic practice, this is among the most art-historically charged sheets the anonymous Paris artist has issued — an essential acquisition.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Invader
Invasion White (with Red And Black), 2009
Limited Edition Print
Screen-print
GBP 18,000 - 21,000
Invader
Rubik Kubrick I - Clockwork Orange (Alex), 2006
Limited Edition Print
Screen-print
GBP 5,000 - 7,000
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
