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Signed, numbered and dated // Invader’s Scream II (2007) is a limited-edition screen print that exemplifies the artist’s signature pixelated style, derived from his use of mosaic tiles and Rubik’s cube aesthetics. The artwork is composed of small, colorful squares in a grid pattern, reminiscent of digital pixels, forming an abstracted version of Edvard Munch’s iconic The Scream. The colors—red, blue, green, white, and orange—are strategically placed to create a sense of movement and distortion, characteristic of Munch’s original piece, but rendered in a highly modern, digital format. This print is a striking example of Invader's ability to blend classic art with contemporary digital and pop culture influences.
Scream II, 2007
form
Medium
Size
40 x 50 cm
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Edition
Price
Details
Artist
Styles
Signed, numbered and dated // Invader’s Scream II (2007) is a limited-edition screen print that exemplifies the artist’s signature pixelated style, derived from his use of mosaic tiles and Rubik’s cube aesthetics. The artwork is composed of small, colorful squares in a grid pattern, reminiscent of digital pixels, forming an abstracted version of Edvard Munch’s iconic The Scream. The colors—red, blue, green, white, and orange—are strategically placed to create a sense of movement and distortion, characteristic of Munch’s original piece, but rendered in a highly modern, digital format. This print is a striking example of Invader's ability to blend classic art with contemporary digital and pop culture influences.
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Invader
Rubik Kubrick I - Clockwork Orange (Alex), 2006
Limited Edition Print
Screen-print
GBP 5,000 - 7,000
What is Street art?
Street Art is artwork created and executed in public spaces, outside of traditional art venues. It gained popularity during the 1980s graffiti art boom and has since evolved into various forms and styles. Common forms of Street Art include pop-up art, sticker art, stencil graffiti, and street installations or sculptures. Terms like guerrilla art, neo-graffiti, post-graffiti, and urban art are often used interchangeably to describe this genre, which challenges conventional ideas about where and how art should be displayed.
