Sam Francis

Untitled, 1984

106.7 X 73 inch

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Tile Mosaic (Green)

Invader, Invader Hypnosis, woodcut print featuring pixelated space invaders and a reinterpretation of Edvard Munch's The Scream in black and white.

Woodcut on Fabriano Rosipina Avorio paper - Signed, Dated and numbered // Invader Hypnosis (2011) by Invader is a limited edition woodcut print on Fabriano Rosipina Avorio paper, measuring 12 x 10 inches. This work blends street art iconography with classic imagery, featuring the artist’s signature pixelated space invader motifs arranged in a hypnotic pattern at the top. The lower half showcases a reinterpretation of Edvard Munch's The Scream, populated by figures in black-and-white woodcut style. The contrast between the digital, pixelated aesthetic and the traditional woodcut technique creates a dialogue between old and new, digital and analog. Invader’s ability to merge contemporary street culture with historical art references is evident, inviting viewers to contemplate the fusion of these disparate visual languages.

Artwork Copyright © Invader

Invader Hypnosis, 2011

form

Medium

Edition

Woodcut on Fabriano Rosipina Avorio paper - Signed, Dated and numbered // Invader Hypnosis (2011) by Invader is a limited edition woodcut print on Fabriano Rosipina Avorio paper, measuring 12 x 10 inches. This work blends street art iconography with classic imagery, featuring the artist’s signature pixelated space invader motifs arranged in a hypnotic pattern at the top. The lower half showcases a reinterpretation of Edvard Munch's The Scream, populated by figures in black-and-white woodcut style. The contrast between the digital, pixelated aesthetic and the traditional woodcut technique creates a dialogue between old and new, digital and analog. Invader’s ability to merge contemporary street culture with historical art references is evident, inviting viewers to contemplate the fusion of these disparate visual languages.

Artwork Copyright © Invader

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What is Street art?

Street Art is artwork created and executed in public spaces, outside of traditional art venues. It gained popularity during the 1980s graffiti art boom and has since evolved into various forms and styles. Common forms of Street Art include pop-up art, sticker art, stencil graffiti, and street installations or sculptures. Terms like guerrilla art, neo-graffiti, post-graffiti, and urban art are often used interchangeably to describe this genre, which challenges conventional ideas about where and how art should be displayed.

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