Sam Francis

Untitled, 1984

106.7 X 73 inch

« previous

Canapé Enfant

next »

ohne Titel (3)

Imi Knoebel's ohne Titel (4), 1995 minimalist screen print with irregular geometric shapes in black, blue, red, yellow, and gray on white background.

Screen print on Velin BFK Rives 270gsm Edition of 40 - This light and minimalist work is part of a series of four screen prints based on the collage series “Messerschitte” that the artist worked on from end of the 70s, until the early 90s. // Ohne Titel (4) by Imi Knoebel, created in 1995, is a minimalist screen print that embodies the artist’s signature abstract style. Set on a stark white background, the composition features an assortment of irregular, geometric shapes in shades of black, blue, red, yellow, and gray. The seemingly random placement of shapes creates a sense of dynamic movement and openness, inviting the viewer to interpret the spaces and interactions between colors. This work is part of a series inspired by Knoebel’s “Messerschitte” collages from the late 1970s to early 1990s, in which he explored purity of form and color. The simplicity and restraint in this piece reflect Knoebel’s commitment to minimalism, focusing on the relationship between form, color, and the surrounding white space.

Artwork Copyright © Imi Knoebel

ohne Titel (4), 1995

form

Medium

Edition

Screen print on Velin BFK Rives 270gsm Edition of 40 - This light and minimalist work is part of a series of four screen prints based on the collage series “Messerschitte” that the artist worked on from end of the 70s, until the early 90s. // Ohne Titel (4) by Imi Knoebel, created in 1995, is a minimalist screen print that embodies the artist’s signature abstract style. Set on a stark white background, the composition features an assortment of irregular, geometric shapes in shades of black, blue, red, yellow, and gray. The seemingly random placement of shapes creates a sense of dynamic movement and openness, inviting the viewer to interpret the spaces and interactions between colors. This work is part of a series inspired by Knoebel’s “Messerschitte” collages from the late 1970s to early 1990s, in which he explored purity of form and color. The simplicity and restraint in this piece reflect Knoebel’s commitment to minimalism, focusing on the relationship between form, color, and the surrounding white space.

Artwork Copyright © Imi Knoebel

Imi Knoebel

Canapé Enfant, 1996

Limited Edition Print

Mixed Media

Artwork On Hold

Imi Knoebel

Ohne Titel (4), 1995

Limited Edition Print

Screen-print

EUR 1,800

Imi Knoebel

Ohne Titel (3), 1995

Limited Edition Print

Screen-print

EUR 1,800

Imi Knoebel

Ohne Titel (2), 1995

Limited Edition Print

Screen-print

EUR 1,800

Imi Knoebel

Face No 12, 2002/2014

Drawing / Watercolor

Mixed Media

EUR 10,000 - 15,000

Imi Knoebel

Gartenbild 9 (Garden Image 9), 2008/2015

Limited Edition Print

Collage

Currently Not Available

Imi Knoebel

Basel Fenster 5 ED, 2020

Limited Edition Print

Mixed Media

Currently Not Available

Stay Updated on Imi Knoebel

Subscribe to receive updates on new artworks, exhibitions and news about Imi Knoebel.

We respect your privacy and protect your information.

What is ‘light and space’?

The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.

RECENTLY VIEWED

-->