Sam Francis

Untitled, 1984

106.7 X 73 inch

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ohne Titel (3)

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Face No 12

Imi Knoebel's ohne Titel (2), 1995 minimalist screen print with scattered geometric shapes in blue, red, yellow, black, green, and pink on white background.

Screen print on Velin BFK Rives 270gsm Edition of 40 - This light and minimalist work is part of a series of four screen prints based on the collage series “Messerschitte” that the artist worked on from end of the 70s, until the early 90s. // ohne Titel (2) by Imi Knoebel, created in 1995, is a minimalist screen print that forms part of a series based on Knoebel's Messerschitte collages. This piece presents an arrangement of abstract shapes in bright, primary colors—blue, red, yellow, black, green, and a small pink accent—scattered across an expansive white background. The composition features a playful distribution of these irregular forms, creating a sense of weightlessness and spatial freedom. Knoebel’s minimalist approach allows the vibrant shapes to stand out, highlighting the relationship between color, shape, and negative space. This work exemplifies Knoebel's dedication to pure abstraction, with each element carefully positioned to invite contemplation of simplicity and visual harmony.

Artwork Copyright © Imi Knoebel

ohne Titel (2), 1995

form

Medium

Edition

Screen print on Velin BFK Rives 270gsm Edition of 40 - This light and minimalist work is part of a series of four screen prints based on the collage series “Messerschitte” that the artist worked on from end of the 70s, until the early 90s. // ohne Titel (2) by Imi Knoebel, created in 1995, is a minimalist screen print that forms part of a series based on Knoebel's Messerschitte collages. This piece presents an arrangement of abstract shapes in bright, primary colors—blue, red, yellow, black, green, and a small pink accent—scattered across an expansive white background. The composition features a playful distribution of these irregular forms, creating a sense of weightlessness and spatial freedom. Knoebel’s minimalist approach allows the vibrant shapes to stand out, highlighting the relationship between color, shape, and negative space. This work exemplifies Knoebel's dedication to pure abstraction, with each element carefully positioned to invite contemplation of simplicity and visual harmony.

Artwork Copyright © Imi Knoebel

Imi Knoebel

Canapé Enfant, 1996

Limited Edition Print

Mixed Media

Artwork On Hold

Imi Knoebel

Ohne Titel (4), 1995

Limited Edition Print

Screen-print

EUR 1,800

Imi Knoebel

Ohne Titel (3), 1995

Limited Edition Print

Screen-print

EUR 1,800

Imi Knoebel

Ohne Titel (2), 1995

Limited Edition Print

Screen-print

EUR 1,800

Imi Knoebel

Face No 12, 2002/2014

Drawing / Watercolor

Mixed Media

EUR 10,000 - 15,000

Imi Knoebel

Gartenbild 9 (Garden Image 9), 2008/2015

Limited Edition Print

Collage

Currently Not Available

Imi Knoebel

Basel Fenster 5 ED, 2020

Limited Edition Print

Mixed Media

Currently Not Available

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What is ‘light and space’?

The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.

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