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Hand painted collage : Acrylic on pvc, framed by the artist // Face No 12 by Imi Knoebel is a striking composition that blends elements of painting and collage, showcasing the artist's dedication to minimalism and color field abstraction. Created between 2002 and 2014, this piece consists of hand-painted acrylic on PVC, arranged in a geometric layout that balances color blocks in shades of teal, blue, white, and subtle hints of pink. The structured grid of colors suggests an architectural quality, while the varied textures and tones evoke a sense of depth and movement within the flat surface. Knoebel’s precise placement of colors and shapes within the square format creates a visually harmonious yet dynamic piece. Measuring 36 cm by 36 cm, this work reflects Knoebel’s continuous exploration of form and color, inviting viewers to engage with its rhythmic simplicity.
Face No 12, 2002/2014
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36 x 36 cm
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Details
Artist
Styles
Hand painted collage : Acrylic on pvc, framed by the artist // Face No 12 by Imi Knoebel is a striking composition that blends elements of painting and collage, showcasing the artist's dedication to minimalism and color field abstraction. Created between 2002 and 2014, this piece consists of hand-painted acrylic on PVC, arranged in a geometric layout that balances color blocks in shades of teal, blue, white, and subtle hints of pink. The structured grid of colors suggests an architectural quality, while the varied textures and tones evoke a sense of depth and movement within the flat surface. Knoebel’s precise placement of colors and shapes within the square format creates a visually harmonious yet dynamic piece. Measuring 36 cm by 36 cm, this work reflects Knoebel’s continuous exploration of form and color, inviting viewers to engage with its rhythmic simplicity.
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Imi Knoebel
Gartenbild 9 (Garden Image 9), 2008/2015
Limited Edition Print
Collage
Currently Not Available
What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.
