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Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper. - Not signed // Küchenstuhl by Gerhard Richter is a limited edition offset print, originally created in 1965 and reproduced in 2022. The piece depicts a solitary kitchen chair rendered in a hazy, blurred style, characteristic of Richter’s work. The indistinct, monochromatic tones evoke a sense of memory or fading presence, transforming an everyday object into a meditative subject. The slightly distorted lines of the chair give the impression of movement or transience, hinting at themes of perception and reality, a recurring exploration in Richter’s art. Printed on Rives 260 gsm paper, this high-quality art print creates a minimalist yet emotionally resonant image.
Küchenstuhl, 1965/2022
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80 x 60 cm
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Details
Artist
Styles
Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper. - Not signed // Küchenstuhl by Gerhard Richter is a limited edition offset print, originally created in 1965 and reproduced in 2022. The piece depicts a solitary kitchen chair rendered in a hazy, blurred style, characteristic of Richter’s work. The indistinct, monochromatic tones evoke a sense of memory or fading presence, transforming an everyday object into a meditative subject. The slightly distorted lines of the chair give the impression of movement or transience, hinting at themes of perception and reality, a recurring exploration in Richter’s art. Printed on Rives 260 gsm paper, this high-quality art print creates a minimalist yet emotionally resonant image.
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Gerhard Richter
Seestück (bewölkt), 1969/2022
Limited Edition Print
Digital Print On Paper
GBP 4,600
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.