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Published by Achille Mauri - Published on Castellani graphics catalogue on number 10 // Enrico Castellani's Superficie Bianca, created in 1968, exemplifies his exploration of dimensionality and light through minimalist form. This limited edition print, sized 30 by 30 cm, features a white, textured surface with a grid of subtle concave and convex points, creating a rhythmic play of shadows and highlights. By manipulating the surface of the material, Castellani achieves a dynamic interplay of light that shifts with the viewer's perspective, giving the piece a sculptural quality. Published by Achille Mauri and cataloged as number 10 in Castellani's graphic works, this piece is part of an edition of around 300. Superficie Bianca reflects Castellani's commitment to pushing the boundaries of the canvas, transforming it into an active space of light, shadow, and perception.
Superficie Bianca, 1968
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30 x 30 cm
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Published by Achille Mauri - Published on Castellani graphics catalogue on number 10 // Enrico Castellani's Superficie Bianca, created in 1968, exemplifies his exploration of dimensionality and light through minimalist form. This limited edition print, sized 30 by 30 cm, features a white, textured surface with a grid of subtle concave and convex points, creating a rhythmic play of shadows and highlights. By manipulating the surface of the material, Castellani achieves a dynamic interplay of light that shifts with the viewer's perspective, giving the piece a sculptural quality. Published by Achille Mauri and cataloged as number 10 in Castellani's graphic works, this piece is part of an edition of around 300. Superficie Bianca reflects Castellani's commitment to pushing the boundaries of the canvas, transforming it into an active space of light, shadow, and perception.
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What is Tachisme?
Tachisme is a French abstract painting style that gained popularity between 1940 and 1950, often seen as the European counterpart to Abstract Expressionism. However, there are stylistic differences between the two. Tachisme, which emerged from Art Informel, rejected geometric abstraction in favor of more intuitive and spontaneous expression. It was a reaction against the structured forms of Cubism and is closely related to Informalism. Tachisme emphasizes gestural brushwork, irregular forms, and a focus on the process of painting itself.
