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Published by Achille Mauri - Published on Castellani graphics catalogue on number 10 // Enrico Castellani's Superficie Bianca, created in 1968, exemplifies his exploration of dimensionality and light through minimalist form. This limited edition print, sized 30 by 30 cm, features a white, textured surface with a grid of subtle concave and convex points, creating a rhythmic play of shadows and highlights. By manipulating the surface of the material, Castellani achieves a dynamic interplay of light that shifts with the viewer's perspective, giving the piece a sculptural quality. Published by Achille Mauri and cataloged as number 10 in Castellani's graphic works, this piece is part of an edition of around 300. Superficie Bianca reflects Castellani's commitment to pushing the boundaries of the canvas, transforming it into an active space of light, shadow, and perception.
Superficie Bianca, 1968
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30 x 30 cm
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Published by Achille Mauri - Published on Castellani graphics catalogue on number 10 // Enrico Castellani's Superficie Bianca, created in 1968, exemplifies his exploration of dimensionality and light through minimalist form. This limited edition print, sized 30 by 30 cm, features a white, textured surface with a grid of subtle concave and convex points, creating a rhythmic play of shadows and highlights. By manipulating the surface of the material, Castellani achieves a dynamic interplay of light that shifts with the viewer's perspective, giving the piece a sculptural quality. Published by Achille Mauri and cataloged as number 10 in Castellani's graphic works, this piece is part of an edition of around 300. Superficie Bianca reflects Castellani's commitment to pushing the boundaries of the canvas, transforming it into an active space of light, shadow, and perception.
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What is Spatialism?
Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.