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Lithograph with debasing on 300-gram Rives BFK paper -Signed, Numbered and Dated // Ellsworth Kelly’s Tournes is a limited edition lithograph that captures his minimalist aesthetic, emphasizing bold, abstract forms and a stark contrast between black and white. Created on 300-gram Rives BFK paper, the composition features a large black shape curving elegantly into a blank white space, a balance that embodies Kelly's focus on form, shape, and color purity. The curved line suggests movement while maintaining simplicity, creating a harmonious tension between presence and absence. The work reflects Kelly’s deep interest in abstraction and reduction, inviting viewers to meditate on the power of basic shapes.
Tournes , 1973-76
form
Medium
Size
86.4 x 104.1 cm
- Inches
- Centimeters
Edition
Range
- USD
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Details
Artist
Styles
Lithograph with debasing on 300-gram Rives BFK paper -Signed, Numbered and Dated // Ellsworth Kelly’s Tournes is a limited edition lithograph that captures his minimalist aesthetic, emphasizing bold, abstract forms and a stark contrast between black and white. Created on 300-gram Rives BFK paper, the composition features a large black shape curving elegantly into a blank white space, a balance that embodies Kelly's focus on form, shape, and color purity. The curved line suggests movement while maintaining simplicity, creating a harmonious tension between presence and absence. The work reflects Kelly’s deep interest in abstraction and reduction, inviting viewers to meditate on the power of basic shapes.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
