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Screenprint in colors on Strathmore. Signed and numbered in pencil. Published by Harry N. Abrams, Inc., New York. Blue, Yellow, Red (1970–73) by Ellsworth Kelly is a screenprint that exemplifies the artist’s minimalist and color field sensibilities. The composition features three horizontal bands—vivid blue on top, bright yellow in the middle, and a deep red-orange at the bottom—arranged within a vertically oriented rectangular field. Kelly’s use of pure, unmodulated color and clean lines reflects his commitment to form, perception, and the power of visual simplicity. By eliminating narrative and gesture, the work emphasizes the relationship between color, space, and viewer experience.
Blue, Yellow, Red, 1970-73
form
Medium
Size
66.3 x 44.5 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Screenprint in colors on Strathmore. Signed and numbered in pencil. Published by Harry N. Abrams, Inc., New York. Blue, Yellow, Red (1970–73) by Ellsworth Kelly is a screenprint that exemplifies the artist’s minimalist and color field sensibilities. The composition features three horizontal bands—vivid blue on top, bright yellow in the middle, and a deep red-orange at the bottom—arranged within a vertically oriented rectangular field. Kelly’s use of pure, unmodulated color and clean lines reflects his commitment to form, perception, and the power of visual simplicity. By eliminating narrative and gesture, the work emphasizes the relationship between color, space, and viewer experience.
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Inquire For Price
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Lithograph
USD 160,000 - 190,000
Ellsworth Kelly
Dark Blue And Red (Bleu Foncé Et Rouge), 1964 -1965
Limited Edition Print
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Conques (from The Third Curve Series), 1976
Limited Edition Print
Lithograph
USD 7,390
Ellsworth Kelly
Orange And Blue Over Yellow, 1964-65
Limited Edition Print
Lithograph
USD 20,000 - 25,000
Ellsworth Kelly
Canigou - From The Third Curve Series, 1973-1976
Limited Edition Print
Lithograph
USD 6,600
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
