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Screenprint on Rives BFK white paper - Literature: Axsom 181 - Signed and numbered in pencil - Series: Seven Lithographs - Published by Gemini G.E.L., Los Angeles // Ellsworth Kelly's Jacmel (1978-1980) is a limited edition screen-print, part of his Seven Lithographs series, published by Gemini G.E.L. on Rives BFK white paper. This work, measuring 86.4 x 76.2 cm, exemplifies Kelly's mastery of abstract minimalism through the use of geometric forms. The composition features a dynamic interplay between a stark black triangle and a diagonal white rectangle, creating a sense of movement and tension. The simplicity of the shapes invites viewers to focus on their spatial relationships and the impact of negative space, hallmark traits of Kelly’s post-war abstraction style. Jacmel stands as a bold statement of Kelly’s ability to transform minimalistic geometry into a visually compelling piece, making it a significant addition to any modern art collection.
Jacmel, 1978-1980
form
Medium
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86.4 x 76.2 cm
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Details
Artist
Styles
Screenprint on Rives BFK white paper - Literature: Axsom 181 - Signed and numbered in pencil - Series: Seven Lithographs - Published by Gemini G.E.L., Los Angeles // Ellsworth Kelly's Jacmel (1978-1980) is a limited edition screen-print, part of his Seven Lithographs series, published by Gemini G.E.L. on Rives BFK white paper. This work, measuring 86.4 x 76.2 cm, exemplifies Kelly's mastery of abstract minimalism through the use of geometric forms. The composition features a dynamic interplay between a stark black triangle and a diagonal white rectangle, creating a sense of movement and tension. The simplicity of the shapes invites viewers to focus on their spatial relationships and the impact of negative space, hallmark traits of Kelly’s post-war abstraction style. Jacmel stands as a bold statement of Kelly’s ability to transform minimalistic geometry into a visually compelling piece, making it a significant addition to any modern art collection.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
